Welcome To The Jungle is a taut, well made, well acted shock 'mockumentary' that might have been considered a groundbreaking classic of exploitation cinema, if it hadn't been for the fact that not one second of it is in any way original. The pace and directorial style is stolen from The Blair Witch Project, whilst the nihilistic plot and certain visuals are taken from the film that inspired Blair Witch, Ruggero Deodato's infamous Cannibal Holocaust. It is hard to admire something that so shamelessly rips off other genre classics, no matter how well put together it is.
Writer/director Jonathan Hensleigh's extremely derivative plot sees two couples (a pair of hedonists, and their more sensible friends) travel to a cannibal infested jungle to try and find the heir to the Rockefeller fortune, who went missing in the area over 40 years earlier. As the going gets tough, tempers become frayed and arguments inevitably break out. But things really go tits up when one of the group angers the locals by pilfering a skull from a native burial site. The extremely miffed gut-munchers stalk the amateur adventurers and teach them not to go messing with their ancestors' remains.
What follows is undeniably tense, occasionally quite nasty, and technically well handled by cast and crew, but I fail to see how the makers of Welcome To The Jungle expected to present this film without criticism. Perhaps, if it had been as unrelentingly harrowing as Cannibal Holocaust (is that even possible?), fans of extreme horror would have forgiven the plagiarism and admired the film's willingness to shock and disgust. But instead, even the nastiest moment in Hensleigh's film, in which one of the victims is shown impaled on a bamboo pole, is a weak copy of a much more disturbing image in Deodato's movie.
Horror fans who have yet to experience the 'delights' of Cannibal Holocaust or the effectively creepy atmosphere of Blair Witch will probably find much to enjoy about Welcome to the Jungle. However, the rest of us will be annoyed by the bare-faced cheek of its makers. To give it a rating any higher than 5/10 just seems wrong.
Writer/director Jonathan Hensleigh's extremely derivative plot sees two couples (a pair of hedonists, and their more sensible friends) travel to a cannibal infested jungle to try and find the heir to the Rockefeller fortune, who went missing in the area over 40 years earlier. As the going gets tough, tempers become frayed and arguments inevitably break out. But things really go tits up when one of the group angers the locals by pilfering a skull from a native burial site. The extremely miffed gut-munchers stalk the amateur adventurers and teach them not to go messing with their ancestors' remains.
What follows is undeniably tense, occasionally quite nasty, and technically well handled by cast and crew, but I fail to see how the makers of Welcome To The Jungle expected to present this film without criticism. Perhaps, if it had been as unrelentingly harrowing as Cannibal Holocaust (is that even possible?), fans of extreme horror would have forgiven the plagiarism and admired the film's willingness to shock and disgust. But instead, even the nastiest moment in Hensleigh's film, in which one of the victims is shown impaled on a bamboo pole, is a weak copy of a much more disturbing image in Deodato's movie.
Horror fans who have yet to experience the 'delights' of Cannibal Holocaust or the effectively creepy atmosphere of Blair Witch will probably find much to enjoy about Welcome to the Jungle. However, the rest of us will be annoyed by the bare-faced cheek of its makers. To give it a rating any higher than 5/10 just seems wrong.