Deanna Durbin stars in "It's a Date," a 1940 comedy also starring Kay Francis, Walter Pidgeon and S.Z. Sakall. Durbin plays Pam Drake, an aspiring young actress whose mother is a theater star, Georgia Drake. After the successful run of a play, Georgia and her maid Sara Frankenstein (Cecilia Loftus) head for Hawaii for R&R before she starts her new play. However, the author (Sakall) isn't sure she's right for the role; he thinks Georgia is too old. Ultimately he sees Pam perform and gives her the role. Not realizing her mother thinks it's hers, she takes a ship to Hawaii so her mother can help her prepare. On the ship, she meets a man (Walter Pidgeon) that she thinks is a stowaway - he's actually John Arlen, a successful businessman. Once in Hawaii, Pam finds out the truth about the role and tries to keep it from her mother; John, meanwhile, has fallen in love with Georgia, but Pam thinks she's in love with him and it's mutual. It's a mess.
In Durbin's earlier films, I found her speaking voice high-pitched and a little annoying and her acting overly energetic to the point of being hyper. Here, she's delightful, bubbly without being manic, and she looks very pretty. Her singing voice has matured as well - she sings "Musetta's Waltz," "Ave Maria" and "Loch Lomond." The whole voice is richer though I will never be a fan of the way sopranos in those days were trained to back off of their high notes. She puts a little too much weight in the middle voice and therefore has a somewhat screechy Bb at the end of "Quando M'en Vo." Still, however, she is one of the best classical singers in film.
Though Durbin was a huge star at Universal, the studio never bought big properties for her. This is a nice film with good performances but that's about it. Kay Francis is lovely as Georgia and Loftus is funny as Sarah. The handsome Pidgeon does his usual good job.
Deanna Durbin in the end out-Garboed Greta Garbo, retiring at the age of 27 and moving to the outskirts of France, and I don't believe she's been seen since or even interviewed. The image and voice of the young girl live, and thanks to TCM, she undoubtedly has new fans. She deserves them.
In Durbin's earlier films, I found her speaking voice high-pitched and a little annoying and her acting overly energetic to the point of being hyper. Here, she's delightful, bubbly without being manic, and she looks very pretty. Her singing voice has matured as well - she sings "Musetta's Waltz," "Ave Maria" and "Loch Lomond." The whole voice is richer though I will never be a fan of the way sopranos in those days were trained to back off of their high notes. She puts a little too much weight in the middle voice and therefore has a somewhat screechy Bb at the end of "Quando M'en Vo." Still, however, she is one of the best classical singers in film.
Though Durbin was a huge star at Universal, the studio never bought big properties for her. This is a nice film with good performances but that's about it. Kay Francis is lovely as Georgia and Loftus is funny as Sarah. The handsome Pidgeon does his usual good job.
Deanna Durbin in the end out-Garboed Greta Garbo, retiring at the age of 27 and moving to the outskirts of France, and I don't believe she's been seen since or even interviewed. The image and voice of the young girl live, and thanks to TCM, she undoubtedly has new fans. She deserves them.