The look alone is worth the trouble. Rich, colorful, slightly baroque. Sophia Loren is as good as when she's directed by a great actor's director, this time is not Vittorio De Sica but George Cukor and her timing, her intention as a character is total perfection. Her sympathy is not merely believable but contagious and sympathy was Loren's secret weapon. True, it's not your Ford or Hawks western if anything it's closer to Sergio Leone with a slightly more refined if not feminine sensibility. The showdowns here are not of gun powder but of love power. The Art Direction is superb and the film shouldn't be dismiss because it doesn't fulfill the rules of the genre. This is a Cukor film and that in itself makes it a cut above most movies. Anthony Quinn is also traveling unknown territory very successfully. Eileen Heckart is, as usual, a scene stealer: "She's only sixteen!, only sixteen, do you hear?" she shouts trying to protect her most valuable asset, her daughter, played by Margaret O'Brien wanting to be accepted as a 20 year old. An extra plus for film lovers is a glimpse of Ramon Novarro one of the biggest stars of the silent era.
Review of Heller in Pink Tights
