I'm still not quite sure what I saw in Isle of the Dead. I do know it succeeded in giving me the willies.
Several people gather on Greek Island during the Balkan Wars when a type of plague strikes and folks die one by one. One old peasant woman, Helene Thimig suspects young and pretty Ellen Drew of being a monster called a Vorvola which was part of the old Greek religion of Zeus and the rest of the folks from Olympus. The problem is that she gets old Greek general Boris Karloff, a brooding and suspicious man to start with, believing it as well.
Imagine Agatha Christie's And Then There Were None laced with the atmosphere of a horror film and you've got Isle of the Dead. At the end of the film you're not even sure what's happened, but the mood created in you by producer Val Lewton will linger on.
I'm not sure what a guy like Val Lewton would have done with a big budget in a studio like MGM or Paramount. Those recycled RKO sets with the proper sinister lighting were a signature with him.
So was there a Vorvola? Watch and judge for yourself.
Several people gather on Greek Island during the Balkan Wars when a type of plague strikes and folks die one by one. One old peasant woman, Helene Thimig suspects young and pretty Ellen Drew of being a monster called a Vorvola which was part of the old Greek religion of Zeus and the rest of the folks from Olympus. The problem is that she gets old Greek general Boris Karloff, a brooding and suspicious man to start with, believing it as well.
Imagine Agatha Christie's And Then There Were None laced with the atmosphere of a horror film and you've got Isle of the Dead. At the end of the film you're not even sure what's happened, but the mood created in you by producer Val Lewton will linger on.
I'm not sure what a guy like Val Lewton would have done with a big budget in a studio like MGM or Paramount. Those recycled RKO sets with the proper sinister lighting were a signature with him.
So was there a Vorvola? Watch and judge for yourself.