Sam Fuller wrote and directed this unusual version of the Jesse James story from the perspective of his murderer, the "cowardly" Robert Ford (John Ireland). Although Ireland is billed beneath 30s oater star Preston Foster ("Outcasts of Poker Flat") and his love interest Cynthy played by Barbara Britton, he's definitely the star of this show and it's the story of Ford and not James or any other character. In fact James is shown as something of a trusting simpleton -- unless you want to dig into the possibility that's implied in some of the film's images that James and Ford are lovers. In fact if you've watched to the very end there's sort of a stark recognition there depending on how you see it. But there's a definite note of tenderness when James touches Ford's injured shoulder, and then there's that scene where James has Ford scrub his back in the tub....
There's a lot of interesting character work from Ireland, who doesn't do that well with the earlier scenes like where he's supposed to be dreaming of his freedom, but who kicks into high gear as soon as his lady-love seems to reject him. Ireland is very convincing at conveying passion and also at playing a guy who's trying hard to hide his passion. That's never more clear than in the great scene when a wandering musician plays the song about "the dirty little coward Robert Ford" for him in the bar. I also really liked the scene with he and Foster when he held back from getting involved in the bar fight until the other man drew a gun.
Foster himself isn't given nearly as much to do in the film but he was always a solid screen presence, he's convincingly grizzled and world-weary. A lot of times in these types of movies the Foster character would have ended up getting the girl, but things are a bit more unclear in this story. We don't get the sense that there's really much chemistry between them. Britton's work is pretty good I thought. She convinced me that her character didn't really know what she wanted.
Good B movie, glad to finally get a chance to see it.
There's a lot of interesting character work from Ireland, who doesn't do that well with the earlier scenes like where he's supposed to be dreaming of his freedom, but who kicks into high gear as soon as his lady-love seems to reject him. Ireland is very convincing at conveying passion and also at playing a guy who's trying hard to hide his passion. That's never more clear than in the great scene when a wandering musician plays the song about "the dirty little coward Robert Ford" for him in the bar. I also really liked the scene with he and Foster when he held back from getting involved in the bar fight until the other man drew a gun.
Foster himself isn't given nearly as much to do in the film but he was always a solid screen presence, he's convincingly grizzled and world-weary. A lot of times in these types of movies the Foster character would have ended up getting the girl, but things are a bit more unclear in this story. We don't get the sense that there's really much chemistry between them. Britton's work is pretty good I thought. She convinced me that her character didn't really know what she wanted.
Good B movie, glad to finally get a chance to see it.