This is an obscure time filler from Columbia Pictures. Obviously lots of musical numbers, and they're not bad. But it's too bad that Phil Harris is the star. Not that he's awful or unlikeable, it's simply that he's too light and uninteresting a performer to carry a picture. Harris was leading his own band at the time and he's fine in that function, and in being a second banana to the antics of Jack Benny on radio, but his starring in a film is equivalent to seeing Carson bandleaders Tommy Newsome or Doc Severinson trying to be leading men.
The stale amnesia angle doesn't help either, but there it is. Harris and his assistant Eddie "Rochester" Anderson are painters doing a job at a nightclub. Harris tries to help in his small way with struggling singer Leslie Brooks, and clumsily falls on his head in the process and takes the ol' amnesia route. By circumstance and guesswork he's made to believe he's actually a bandleader. Oddly enough, he's got an innate talent for it and becomes a success -- and Anderson, even though he knows Harris is really a painter, attaches himself as a Man Friday in order to ride along on Harris' bandleader success. Brooks plays an angle as well, but falls in love with him in the process. There's a few more contrivances, a few more musical numbers, and a predictable finish. There's also a quick joke where Harris as his screen character makes fun of the real Harris as a bandleader. Actually, the only reason to watch this film is to catch the always pleasing Eddie Anderson. Obviously his race kept him from being the star of this movie, and that's too bad because he's the only one of Jack Benny's cast members who could carry a film -- and he certainly could have carried this one. Instead it's Harris who fills the screen (almost literally considering his bulk). Nonetheless, it's a pleasant little movie that's easy on the brain... but hard to see considering its virtual unavailability.
The stale amnesia angle doesn't help either, but there it is. Harris and his assistant Eddie "Rochester" Anderson are painters doing a job at a nightclub. Harris tries to help in his small way with struggling singer Leslie Brooks, and clumsily falls on his head in the process and takes the ol' amnesia route. By circumstance and guesswork he's made to believe he's actually a bandleader. Oddly enough, he's got an innate talent for it and becomes a success -- and Anderson, even though he knows Harris is really a painter, attaches himself as a Man Friday in order to ride along on Harris' bandleader success. Brooks plays an angle as well, but falls in love with him in the process. There's a few more contrivances, a few more musical numbers, and a predictable finish. There's also a quick joke where Harris as his screen character makes fun of the real Harris as a bandleader. Actually, the only reason to watch this film is to catch the always pleasing Eddie Anderson. Obviously his race kept him from being the star of this movie, and that's too bad because he's the only one of Jack Benny's cast members who could carry a film -- and he certainly could have carried this one. Instead it's Harris who fills the screen (almost literally considering his bulk). Nonetheless, it's a pleasant little movie that's easy on the brain... but hard to see considering its virtual unavailability.