'Hairspray' is perhaps one of the most spirited energetic musicals of recent time. Right from the beginning till the end, it's all energy. There is not one boring moment. Actually there is no time to be bored. Shankman does the admirable task of directing the film AND choreographing the dances. The film's also a treat to watch. It's very colourful and reminds one of the 60's glamour. The songs are of the foot-tapping and head nodding sort (pretty much any upbeat song of the 60's has this kind of effect on me).
The cast is splendid. The actors do the multiple task of acting, singing and dancing. It's quite obvious that Travolta's Edna is played by a man but his acting isn't bad. He manages to emote well and his dance number with Christopher Walken is hilarious. He does get into the skin of the character if not entirely the gender. Walken excellently plays the loving kind-hearted, slightly naive, father. Here one will see a different Christopher Walken. This is Michelle Pfeiffer's second negative role this year (the other being her character in 'Stardust'). The role was originally played by the famous Deborah Harry and it's noticeable how they eerily look alike. Pfeiffer both looks and acts the part of a skinny manipulative obnoxious bitch, making it her own. A lesser actress could have easily messed up the part. James Marsden is spot on as the host of a 60's musical show. He keeps proving his versatility. Amanda Bynes is adorable as the daft and supportive Penny. Allison Janney is a fantastic scene stealer. Jerry Stiller, who played Wilbur in the 1988 version, makes his presence felt with just one scene. It's hard to picture anyone other than the divine Queen Latifah as Motormouth Maybelle. Elijah Kelley dances well and Zac Efron's acting is wooden but his dances are okay. However, the 'Hairspray' rests on newcomer Nikki Blonsky. Not only does she hold her own among a host of incredibly talented actors, she bravely carries the film.
Next to being a wonderfully entertaining film, 'Hairspray' also brings forth some issues such as acceptance, tolerance and integration of people no matter their gender, race or sexuality. This is what the film is essentially about and it is brilliantly interwoven into this musical extravaganza. I wasn't expecting much from the film but right from the opening sequence it absorbed my attention and I was completely into the energy of the film, forgetting everything else around me during its 2 hours. A great experience.
The cast is splendid. The actors do the multiple task of acting, singing and dancing. It's quite obvious that Travolta's Edna is played by a man but his acting isn't bad. He manages to emote well and his dance number with Christopher Walken is hilarious. He does get into the skin of the character if not entirely the gender. Walken excellently plays the loving kind-hearted, slightly naive, father. Here one will see a different Christopher Walken. This is Michelle Pfeiffer's second negative role this year (the other being her character in 'Stardust'). The role was originally played by the famous Deborah Harry and it's noticeable how they eerily look alike. Pfeiffer both looks and acts the part of a skinny manipulative obnoxious bitch, making it her own. A lesser actress could have easily messed up the part. James Marsden is spot on as the host of a 60's musical show. He keeps proving his versatility. Amanda Bynes is adorable as the daft and supportive Penny. Allison Janney is a fantastic scene stealer. Jerry Stiller, who played Wilbur in the 1988 version, makes his presence felt with just one scene. It's hard to picture anyone other than the divine Queen Latifah as Motormouth Maybelle. Elijah Kelley dances well and Zac Efron's acting is wooden but his dances are okay. However, the 'Hairspray' rests on newcomer Nikki Blonsky. Not only does she hold her own among a host of incredibly talented actors, she bravely carries the film.
Next to being a wonderfully entertaining film, 'Hairspray' also brings forth some issues such as acceptance, tolerance and integration of people no matter their gender, race or sexuality. This is what the film is essentially about and it is brilliantly interwoven into this musical extravaganza. I wasn't expecting much from the film but right from the opening sequence it absorbed my attention and I was completely into the energy of the film, forgetting everything else around me during its 2 hours. A great experience.