Le Fils de l'épicier (The Grocer's Son) is one of the loveliest films of the year. Written (with Florence Vignon) and directed by Eric Guirado, this little taste of French life is as refreshing as the fruits and vegetables on the traveling grocery van that is a focal point of the story. Though at first glance it appears to be a simple tale of a son begrudgingly taking over his invalid father's business, Guirado has embroidered this story with so many warm details that the film begs to be seen again and again to make sure nothing has been missed.
Antoine Sforza (the gifted and handsome young actor Nicolas Cazalé) is a thirty something young waiter, unable to find satisfaction in his various jobs he opted for when he left his home ten years ago: his relationship with his father was strained and Antoine did not care to 'waste' his life in a village as an grocer (epicier). He has a 'girlfriend' Claire (Clotilde Hesme) who is trying to save money to go to Spain to study, and when his father (Daniel Duval) is hospitalized with a heart attack, he begrudgingly agrees to return home - with the proviso that his mother lend him money that he in turn gives to Claire so that she can complete her dream of studying in Spain. Antoine's brother François (Stéphan Guérin-Tillié) owns a beauty salon and, despite the family's concept that he is the stable one, has troubles of his own. Antoine's mother (Jeanne Goupil) is desperate for help: she has managed to run the little store in the village, but a major source of income has come from the van the father drives through the countryside, selling groceries to the old folks. Antoine is encouraged by Claire to take over the van and even helps Antoine paint the van with rainbow colors to become the 'Epicier Volante'. In time Antoine's brusque and distant personality is affected by the warmly humorous and significantly needy yet friendly old folks. He makes friends and extends himself as never before.
Claire wins her audition for Spain, the father is released form the hospital, François' life falls apart, and Antoine feels he must pay back his mother and move on. But the bonds between the changed Antoine and his family as well as his deep attachments to the old folks convince him to alter his plan for his life.
Many of the 'old folks' are cast from villagers who Guirado met while scouting for his film and these 'actors', together with some very fine character actors such as Liliane Rovère, give the film a feeling of authenticity. The scenery is gorgeous, the music is apropos, and the performances by the lead members of the cast are superb. This is a film to treasure - repeatedly. Highest Recommendation. Grady Harp
Antoine Sforza (the gifted and handsome young actor Nicolas Cazalé) is a thirty something young waiter, unable to find satisfaction in his various jobs he opted for when he left his home ten years ago: his relationship with his father was strained and Antoine did not care to 'waste' his life in a village as an grocer (epicier). He has a 'girlfriend' Claire (Clotilde Hesme) who is trying to save money to go to Spain to study, and when his father (Daniel Duval) is hospitalized with a heart attack, he begrudgingly agrees to return home - with the proviso that his mother lend him money that he in turn gives to Claire so that she can complete her dream of studying in Spain. Antoine's brother François (Stéphan Guérin-Tillié) owns a beauty salon and, despite the family's concept that he is the stable one, has troubles of his own. Antoine's mother (Jeanne Goupil) is desperate for help: she has managed to run the little store in the village, but a major source of income has come from the van the father drives through the countryside, selling groceries to the old folks. Antoine is encouraged by Claire to take over the van and even helps Antoine paint the van with rainbow colors to become the 'Epicier Volante'. In time Antoine's brusque and distant personality is affected by the warmly humorous and significantly needy yet friendly old folks. He makes friends and extends himself as never before.
Claire wins her audition for Spain, the father is released form the hospital, François' life falls apart, and Antoine feels he must pay back his mother and move on. But the bonds between the changed Antoine and his family as well as his deep attachments to the old folks convince him to alter his plan for his life.
Many of the 'old folks' are cast from villagers who Guirado met while scouting for his film and these 'actors', together with some very fine character actors such as Liliane Rovère, give the film a feeling of authenticity. The scenery is gorgeous, the music is apropos, and the performances by the lead members of the cast are superb. This is a film to treasure - repeatedly. Highest Recommendation. Grady Harp