Here, courtesy of an excellent DVD from The British Film Institute, is the real-life counterpart of "The Flying Scot". Produced by John Grierson for the General Post Office Film Unit, brilliantly directed by Harry Watt and Basil Wright, "Night Mail" is a short account (25 minutes) of the special train literally a traveling post office that made a 365 nights-a-year journey from Euston station in London to Glasgow in Scotland in the 1930s and beyond. (The film was released by Associated British in 1936). With carriages staffed by the real mail sorters, it's impossible to separate the studio material from actuality. The only giveaways are the snatches of dialogue which have obviously been post-synced by professionals under the direction of Alberto Cavalcanti. True, in almost all cases, the directors have taken great care to cleverly obscure the mouths of the workers, but their accents are undoubtedly those of actors akin to the credited off-camera commentators, Stuart Legg and John Grierson himself.
Many people have praised the Benjamin Britten score and the brief poem by W.H. Auden, but for me, the chief joys of the film lay in the cinematography by Chick Fowle and Jonah Jones. Just about the whole movie was shot at night as the train speeds through unusually bleak, blighted landscapes, which give this film a distinctive, noirish quality that is reinforced by the smelters, mills and smoke-stacks of Scotland's dismally sterile, impersonal and uninviting factory towns.
Many people have praised the Benjamin Britten score and the brief poem by W.H. Auden, but for me, the chief joys of the film lay in the cinematography by Chick Fowle and Jonah Jones. Just about the whole movie was shot at night as the train speeds through unusually bleak, blighted landscapes, which give this film a distinctive, noirish quality that is reinforced by the smelters, mills and smoke-stacks of Scotland's dismally sterile, impersonal and uninviting factory towns.