Chain-smoking, liquor-swilling homicide detective Sergeant JJ Striker(Charlies Napier)and his loyal street-wise tough partner Charlie Garrett(Robert Viharo)are after a massive, nearly unstoppable serial killer(Maniac Cop's Robert Z'Dar), whose Asian ritualistic practices(..chanting gibberish, snapping victims necks and painting the faces white, inscribing ancient symbols on their bodies with black ink)render his body impervious to bullets. This psycho, Chuck Sommers, is an unhinged ex-mercenary, forgoing proper psychiatric methods, opting for "self-healing" and it seems that when he kills, he gains a power over death! Striker's alcoholism is a major problem that continually plagues him throughout the film. After his partner is killed by Chuck when happening upon a fresh crime scene involving a recently murdered hooker he's checking on, a more sober, determined Striker pursues his adversary. Michelle Reese stars as Striker's long-suffering, ridiculously dependable lover, Rene(..once a call-girl gone straight)and the absolutely beautiful Katherine Kelly Lang(..a veteran soap opera actress)is her "surrogate daughter" Denise, who he will not, come hell or high water, let sink into the business of prostitution no matter what proposals sleazy pimp Julius(James Watkins)offers her way. Just guess who Chuck will eventually target? You bet, Rene and, especially, Denise. It'll be up to Striker and the police to somehow stop this killer or else his murder spree may never end as long as his power continues to progress.
It was a thrill to see The Nape in the starring role, even if for a cop action drama with serial killer undertones. Many of the traits associated with cop actioners are in this film. The usual liquor store shoot-out spilling into an exciting chase throughout the streets of gritty Los Angeles. The lead cop's partner being killed. The lead cop seeking revenge, motivated to find justice for his fallen comrade. The film has the usual seedy elements of street prostitution and cop stake-outs looking for the killer. As often is the case in these thrillers, the killer often stays ahead of the police, with a help coming from another source, Chuck's former psychologist. You have the usual friction between Striker and his superiors. And, we see a great number of policemen blown to smithereens in the climactic shoot-out as Striker himself must stop Chuck, who captures Denise prisoner equipped with a machine gun having taken a cop car from the film's department ass, Vic(Gary Crosby)who remains a thorn in our hero's side throughout. But, I was so jazzed about The Nape, intense as ever, squaring off with the menacing Z'Dar that despite the film's very standard presentation, I couldn't help but embrace this thriller. Sometimes it was hard seeing Napier in such a drunken, pathetic state, but when he gets his act together, the film builds up to a action-packed close inside a warehouse. I found the plot, regarding Z'Dar's ability to withstand bullets a bit silly, but he cuts a very monstrous figure, silhouetted in darkness. And, his ferocious attacks on victims, hoisting them in the air, breaking their necks with such a vicious snap, certainly leaves an impression even if these murders aren't gory. But, this is The Nape's show all the way and there is a span of time when the killer isn't even present in the movie as director Max Kleven(..known more for his stunts, which isn't surprising due to the well-choreographed action sequences in this film)focuses in on Striker and his story. The film really seems to build around his relationship with Rene and Denise, his daily consumption with alcohol which hinders his duty as a cop, and the important friendship with partner Garrett(..Nape's camaraderie/chemistry with Viharo is an asset to this film, I felt). A useless sub-plot has Denise growing close with a young pup detective, Buddy Brown(Joseph Gian).
It was a thrill to see The Nape in the starring role, even if for a cop action drama with serial killer undertones. Many of the traits associated with cop actioners are in this film. The usual liquor store shoot-out spilling into an exciting chase throughout the streets of gritty Los Angeles. The lead cop's partner being killed. The lead cop seeking revenge, motivated to find justice for his fallen comrade. The film has the usual seedy elements of street prostitution and cop stake-outs looking for the killer. As often is the case in these thrillers, the killer often stays ahead of the police, with a help coming from another source, Chuck's former psychologist. You have the usual friction between Striker and his superiors. And, we see a great number of policemen blown to smithereens in the climactic shoot-out as Striker himself must stop Chuck, who captures Denise prisoner equipped with a machine gun having taken a cop car from the film's department ass, Vic(Gary Crosby)who remains a thorn in our hero's side throughout. But, I was so jazzed about The Nape, intense as ever, squaring off with the menacing Z'Dar that despite the film's very standard presentation, I couldn't help but embrace this thriller. Sometimes it was hard seeing Napier in such a drunken, pathetic state, but when he gets his act together, the film builds up to a action-packed close inside a warehouse. I found the plot, regarding Z'Dar's ability to withstand bullets a bit silly, but he cuts a very monstrous figure, silhouetted in darkness. And, his ferocious attacks on victims, hoisting them in the air, breaking their necks with such a vicious snap, certainly leaves an impression even if these murders aren't gory. But, this is The Nape's show all the way and there is a span of time when the killer isn't even present in the movie as director Max Kleven(..known more for his stunts, which isn't surprising due to the well-choreographed action sequences in this film)focuses in on Striker and his story. The film really seems to build around his relationship with Rene and Denise, his daily consumption with alcohol which hinders his duty as a cop, and the important friendship with partner Garrett(..Nape's camaraderie/chemistry with Viharo is an asset to this film, I felt). A useless sub-plot has Denise growing close with a young pup detective, Buddy Brown(Joseph Gian).