The sorts of ready disparagements this movie will attract?Is it too full of swiftly drawn caricatures? Too relentlessly brave? Too syrupy sweet? Too anticipatable? Too small town? May all films be so lucky.
Director Michael Campus, is a humanist. He allows himself to be known for the divine sentimentalist he is on the DVD Special Features and film commentary (joined by the artist of enchantment himself, Thomas Kinkade, whose reminiscences infuse the stuff of real life), all of which should be carefully viewed and heard. I immersed myself in this heartening film like a hot tub!
Charlotte Rae does not appear to be listed in the cast on IMDb - an oversight or am I going blind? She stole every scene she was in! What a trouper, what a mobile face, what a voice! Playing Vesta, the church organist, she is fabulous! Don't miss her Christmas comment in the Special Features section - she radiates the Christmas spirit - and she's Jewish! ;-)
What's so compelling about this film are the outright love, tears and camaraderie out of which it was born. That the story is TRUE makes it, perhaps, awkward to make it all-inclusive of those memories.
I have a Thomas Kinkade print (not an original, of course, since I, too, am on an "early Maryanne budget") of a rainy street scene, which, with a jolt, I thought I recognized in front of the the mother's place of employment. Could this be? Kinkade's early struggles along the way are the grist of this warm-hearted seasonal movie which illuminates the cherished Illuminator in a most moving way.
Jared Padalecki, a gorgeous young actor, carries the film, or, better, soars with this film on youthful wings with so many older, more experienced thespians of obvious renown. Such a nuanced and tender performance! He is bound to become a household word.
Marcia Gay Harden - as Kinkade's mother, Maryanne - is luminous. I have seen such as Juliet Binoche in "Chocolat" playing selfless women, but Marcia Gay is right up there with the Living Saints! This is the way people should treat one another in this world. The real Maryanne, we learn, lives very near her son Thomas today and basks in the successes of both her boys: Patrick (very well-portrayed by the fresh-faced Aaron Ashmore and Thomas. Obviously, all Maryanne's sacrifice and hard work came to grand fruition.
Richard Burgi is commendable and markedly original in his embodiment of the absent Kinkade father, who might have been treated vengefully, since he abandoned the family when the brothers were but small boys. Instead of rancor, this family shows him acceptance and love in later life. Burgi's performance captures,Thomas Kinkade says, the idiosyncrasies of their madcap father. He's a kick.
Peter O'Toole? What can you say? Tried and true, he shines like a Christmas Star in anything he touches. And as Glen Wessels - the generous artist who, as Fate would have it, happens to settle near the Kinkades' rundown cottage - he mentors the young Thomas. Jewels of languid British cadence fall from O'Toole's gifted lips. He offers guidance, wisdom, and, with trembling dignity, rescue. I was moved to tears several times during these remarkable scenes.
Geoffrey Lewis gave such a winning performance as a grief-stricken father who has lost his son in battle. He melts the heart. Lewis's face, so open and guileless, suspends any reservation or disbelief and sustains the movie magic. Chris Elliott, in a Fezziwig topknot, takes and runs with the role of Ernie, the Chamber of Commerce guy who is into publicizing the town via japes, loud ties, and hustle. He is too perfect.
Ed Asner as the agent? Solid as granite and manly as a bull. What a cast, what a cast! How was it gotten together? The work that went into this labor of love - initiated by a chance meeting of the Campuses and Kinkades at a Carmel, California restaurant! Such serendipity makes believers of us all - nice guys CAN finish first.
I can't list all the players (each so perfectly fitted into a glowing Christmas mosaic), my time is up. Try to see this one at Christmastime and linger over it, as I did, so gratefully.
Director Michael Campus, is a humanist. He allows himself to be known for the divine sentimentalist he is on the DVD Special Features and film commentary (joined by the artist of enchantment himself, Thomas Kinkade, whose reminiscences infuse the stuff of real life), all of which should be carefully viewed and heard. I immersed myself in this heartening film like a hot tub!
Charlotte Rae does not appear to be listed in the cast on IMDb - an oversight or am I going blind? She stole every scene she was in! What a trouper, what a mobile face, what a voice! Playing Vesta, the church organist, she is fabulous! Don't miss her Christmas comment in the Special Features section - she radiates the Christmas spirit - and she's Jewish! ;-)
What's so compelling about this film are the outright love, tears and camaraderie out of which it was born. That the story is TRUE makes it, perhaps, awkward to make it all-inclusive of those memories.
I have a Thomas Kinkade print (not an original, of course, since I, too, am on an "early Maryanne budget") of a rainy street scene, which, with a jolt, I thought I recognized in front of the the mother's place of employment. Could this be? Kinkade's early struggles along the way are the grist of this warm-hearted seasonal movie which illuminates the cherished Illuminator in a most moving way.
Jared Padalecki, a gorgeous young actor, carries the film, or, better, soars with this film on youthful wings with so many older, more experienced thespians of obvious renown. Such a nuanced and tender performance! He is bound to become a household word.
Marcia Gay Harden - as Kinkade's mother, Maryanne - is luminous. I have seen such as Juliet Binoche in "Chocolat" playing selfless women, but Marcia Gay is right up there with the Living Saints! This is the way people should treat one another in this world. The real Maryanne, we learn, lives very near her son Thomas today and basks in the successes of both her boys: Patrick (very well-portrayed by the fresh-faced Aaron Ashmore and Thomas. Obviously, all Maryanne's sacrifice and hard work came to grand fruition.
Richard Burgi is commendable and markedly original in his embodiment of the absent Kinkade father, who might have been treated vengefully, since he abandoned the family when the brothers were but small boys. Instead of rancor, this family shows him acceptance and love in later life. Burgi's performance captures,Thomas Kinkade says, the idiosyncrasies of their madcap father. He's a kick.
Peter O'Toole? What can you say? Tried and true, he shines like a Christmas Star in anything he touches. And as Glen Wessels - the generous artist who, as Fate would have it, happens to settle near the Kinkades' rundown cottage - he mentors the young Thomas. Jewels of languid British cadence fall from O'Toole's gifted lips. He offers guidance, wisdom, and, with trembling dignity, rescue. I was moved to tears several times during these remarkable scenes.
Geoffrey Lewis gave such a winning performance as a grief-stricken father who has lost his son in battle. He melts the heart. Lewis's face, so open and guileless, suspends any reservation or disbelief and sustains the movie magic. Chris Elliott, in a Fezziwig topknot, takes and runs with the role of Ernie, the Chamber of Commerce guy who is into publicizing the town via japes, loud ties, and hustle. He is too perfect.
Ed Asner as the agent? Solid as granite and manly as a bull. What a cast, what a cast! How was it gotten together? The work that went into this labor of love - initiated by a chance meeting of the Campuses and Kinkades at a Carmel, California restaurant! Such serendipity makes believers of us all - nice guys CAN finish first.
I can't list all the players (each so perfectly fitted into a glowing Christmas mosaic), my time is up. Try to see this one at Christmastime and linger over it, as I did, so gratefully.