Monty is an honest black man working as a mechanic, financially supporting his three daughters who live with his ex-wife's mother. When his mother-in-law dies, Monty is left looking after his daughters and takes on extra work as a driver for young, pretty and very successful lawyer Julia. His first day on the job brings disaster though as one of his daughters starts a fire, forcing him to take Julia to the hospital, getting him fired and social services handing his kids to their estranged mother (who lives with the local drug dealer). Monty is forced to go for custody to keep his girls but cannot get a lawyer and only a moment of kindness from Julia sees her take his case for free. While she works with him she begins to fall for his charms despite the gulf in their social status.
I want to be clear that, although I came to this film off the back of The Wire, I did not expect it to be of the same quality (or even the same genre) and I did not come to it with my mind made up or some sort of chip on my shoulder that Elba should only do projects that Wire fans somehow approve of in line with his brilliant turn as Stringer Bell. No, I came to the film because I like him as a screen presence and was happy to see this film for what it was a romantic drama. In the broad sweep the film is OK in very base terms but the biggest problem with it is evident from the very start. Within a few minutes of the start we have a saintly old woman coughing and come comments made about her health and I immediately said "she's not making it long into this" fade to her funeral seconds later! This is one example but there are lots of examples of really poor development and convenient narrative jumps. This may not sound like a problem but consider the main thrust of the film is the relationship between Julia and Monty convincing and engaging.
Sadly it never does and it felt like the writers had developed this in about three stages. 1: snotty impatient dislike of Monty; 2: he's not all bad but it's not for me; 3: Monty is the love of my life. The thing is that there is literally nothing between these stages and it feels like a switch has been flicked to move from one to another with the impact on the film being that it simply doesn't feel real. This left me not caring too much about the relationship throughout. The case of the title is similarly unengaging as it doesn't ring true either it is written to elicit emotions from the viewer but by being so lame it just didn't suck me in or produce any dramatic tension at all. It isn't all bad though because it does have a very basic charm to it and, as a daytime TV movie, it would work really well for the target audience it is just a shame that that is the best you can say about it because of how poorly written all of it is the final five minutes being an example of everything being tied up whether it makes total sense or not. I understand that there is an element of Capraesque community fairytale here and I have no problem with that but didn't think it excused it from being "good" in areas of writing, characters and development.
The reason for me coming to the film is one of its few strengths. Elba doesn't get anywhere near the complexity or intensity of Stringer Bell of course (not that the Emmy's would agree with my summary of his acting in that) but he still has a good presence and makes for a lovable lead character. His charm and looks does help the film get away with a lot. The harder acting role is Julia because you have to make this character change convincingly and also be horrid early on without pushing the audience away. The bad news is that this role went to Union, who doesn't have the greatest range. She cannot make it work and her performance is really simple and totally unconvincing as being a real person. Her looks do not help her that much here and the lack of reality in her character breaks the chemistry between her and Elba. The kids are cute and slightly annoying in their delivery, being too obvious in doing what they are doing. Nobody else has much to do Gossett Jr rolls through in an attempt to add some weight to the film by his name, Smith, Ross, Williams, Vaughn and others all do the basics but not much more.
Daddy's Little Girls is a very basic film that will work best in a few years when you stumble upon on in the middle of TVM stuff in the middle of a weekday but even then it is pretty thin stuff. It relies heavily on Elba and Union's performances, both of whom try their best but don't have decent characters and simply try to charm their way through. The writing is poor as it lacks any flow or development worth talking about and it feels like it was delivered in blocks. Were it funnier, more dramatic or more engaging, this wouldn't matter but the film is not good enough to cover the development problem and it gets dull and silly very quickly with only Afro-Caribbean TVM weepy fans being left loving it.
I want to be clear that, although I came to this film off the back of The Wire, I did not expect it to be of the same quality (or even the same genre) and I did not come to it with my mind made up or some sort of chip on my shoulder that Elba should only do projects that Wire fans somehow approve of in line with his brilliant turn as Stringer Bell. No, I came to the film because I like him as a screen presence and was happy to see this film for what it was a romantic drama. In the broad sweep the film is OK in very base terms but the biggest problem with it is evident from the very start. Within a few minutes of the start we have a saintly old woman coughing and come comments made about her health and I immediately said "she's not making it long into this" fade to her funeral seconds later! This is one example but there are lots of examples of really poor development and convenient narrative jumps. This may not sound like a problem but consider the main thrust of the film is the relationship between Julia and Monty convincing and engaging.
Sadly it never does and it felt like the writers had developed this in about three stages. 1: snotty impatient dislike of Monty; 2: he's not all bad but it's not for me; 3: Monty is the love of my life. The thing is that there is literally nothing between these stages and it feels like a switch has been flicked to move from one to another with the impact on the film being that it simply doesn't feel real. This left me not caring too much about the relationship throughout. The case of the title is similarly unengaging as it doesn't ring true either it is written to elicit emotions from the viewer but by being so lame it just didn't suck me in or produce any dramatic tension at all. It isn't all bad though because it does have a very basic charm to it and, as a daytime TV movie, it would work really well for the target audience it is just a shame that that is the best you can say about it because of how poorly written all of it is the final five minutes being an example of everything being tied up whether it makes total sense or not. I understand that there is an element of Capraesque community fairytale here and I have no problem with that but didn't think it excused it from being "good" in areas of writing, characters and development.
The reason for me coming to the film is one of its few strengths. Elba doesn't get anywhere near the complexity or intensity of Stringer Bell of course (not that the Emmy's would agree with my summary of his acting in that) but he still has a good presence and makes for a lovable lead character. His charm and looks does help the film get away with a lot. The harder acting role is Julia because you have to make this character change convincingly and also be horrid early on without pushing the audience away. The bad news is that this role went to Union, who doesn't have the greatest range. She cannot make it work and her performance is really simple and totally unconvincing as being a real person. Her looks do not help her that much here and the lack of reality in her character breaks the chemistry between her and Elba. The kids are cute and slightly annoying in their delivery, being too obvious in doing what they are doing. Nobody else has much to do Gossett Jr rolls through in an attempt to add some weight to the film by his name, Smith, Ross, Williams, Vaughn and others all do the basics but not much more.
Daddy's Little Girls is a very basic film that will work best in a few years when you stumble upon on in the middle of TVM stuff in the middle of a weekday but even then it is pretty thin stuff. It relies heavily on Elba and Union's performances, both of whom try their best but don't have decent characters and simply try to charm their way through. The writing is poor as it lacks any flow or development worth talking about and it feels like it was delivered in blocks. Were it funnier, more dramatic or more engaging, this wouldn't matter but the film is not good enough to cover the development problem and it gets dull and silly very quickly with only Afro-Caribbean TVM weepy fans being left loving it.