Unknown Chaplin is a three part television series produced from outtakes and film clips edited from most of Charles Chaplin's well-known films. The first part focuses primarily on the Mutual period when Chaplin made twelve films in sixteen months. The film covers how Chaplin formed his own stock company to make films with much in the way John Ford would do a couple decades later. The film focuses on The Floorwalker, The Count, The Cure, and The Immigrant, while including clips of The Pawnbroker and The Adventurer. The film indicates how Chaplin rehearsed on film by viewing daily rushes and re-shooting scenes multiple times, how some gags worked by exploiting the variances in camera speed, and how Edna Purviance was not a trained actress and had to be shaped by Chaplin's direction.
The second part of the film focuses on The Kid, The Gold Rush, and City Lights. It includes interviews with Jackie Coogan, Lita Grey, Georgia Hale, Robert Parrish, Virginia Cherrill, and Sydney Chaplin. A great deal of time is spent on the location shooting for The Gold Rush and the many highlights from that film. Most interesting is the initial introduction of the tramp and the flower girl scene in City Lights. Chaplin had to solve the dilemma of how to make it plain to the audience that the blind flower girl thought the tramp was a rich man. It took a year and a half of patience and countless retakes for Chaplin to solve it.
The third part of the film focuses mostly on The Circus and the uncompleted film The Professor, but it also includes tidbits from City Lights, Modern Times, The Great Dictator, and Limelight. The third part showcases mostly scenes which were cut from Chaplin's final edit of his films influences some of his earlier silent pictures had on his later, more famous films. The film shows how Chaplin played an important role in the development of early cinema, combining his own artistic vision with the unbridled mayhem of his Mack Sennett days at the Keystone Company. Many of Chaplin's stock company get substantial screen time, including Edna Purviance, Eric Campbell, Albert Austin, Henry Bergman, John Rand, and Loyal Underwood. Major disappointments are the film's omissions of Chaplin's post-Limelight work, Monsieur Verdoux, and A Woman Of Paris, a box office failure upon its release now regarded as one of Chaplin's most important films and an adult film ahead of its time. James Mason narrates the film with appropriate earnestness. ***1/2 of 4 stars.
The second part of the film focuses on The Kid, The Gold Rush, and City Lights. It includes interviews with Jackie Coogan, Lita Grey, Georgia Hale, Robert Parrish, Virginia Cherrill, and Sydney Chaplin. A great deal of time is spent on the location shooting for The Gold Rush and the many highlights from that film. Most interesting is the initial introduction of the tramp and the flower girl scene in City Lights. Chaplin had to solve the dilemma of how to make it plain to the audience that the blind flower girl thought the tramp was a rich man. It took a year and a half of patience and countless retakes for Chaplin to solve it.
The third part of the film focuses mostly on The Circus and the uncompleted film The Professor, but it also includes tidbits from City Lights, Modern Times, The Great Dictator, and Limelight. The third part showcases mostly scenes which were cut from Chaplin's final edit of his films influences some of his earlier silent pictures had on his later, more famous films. The film shows how Chaplin played an important role in the development of early cinema, combining his own artistic vision with the unbridled mayhem of his Mack Sennett days at the Keystone Company. Many of Chaplin's stock company get substantial screen time, including Edna Purviance, Eric Campbell, Albert Austin, Henry Bergman, John Rand, and Loyal Underwood. Major disappointments are the film's omissions of Chaplin's post-Limelight work, Monsieur Verdoux, and A Woman Of Paris, a box office failure upon its release now regarded as one of Chaplin's most important films and an adult film ahead of its time. James Mason narrates the film with appropriate earnestness. ***1/2 of 4 stars.