Watchmen - Zack Snyder's much awaited treatment of the Alan Moore saga has vigilante Rorschach (Jackie Earle Haley) on the hunt for the person responsible for another superhero's death. In a sweeping epic that spans several decades, we see an alternate world where the U.S.A won Vietnam, Richard Nixon serves as president for three terms, and America has Dr. Manhattan, a man turned demi-god with unfortunately the same amount of vested interest in our human affairs.
Goodness, it took an ordeal to bring this to the cinema. I hope those who have waited far longer than me for Watchman are satisfied with the results. More than satisfied in my case. I enjoyed the graphic novel, loved Rorschach and Ozymandias, but didn't acquire quite the same level of adoration as millions of other comic book fans. I can safely say that Zack Snyder and screenwriter David Hayter did a fine job transposing the enormous source material into something fitting for the cinema. Is it perfect? No. But it's as good as anyone could hope for, and I had a really good time.
First off, Jackie Earle Haley deserves much props, if not some sort of nomination for bringing this excellent portrayal of Rorschach to the screen. He is an inspired choice, though I will always wonder how Daniel Craig would have done. Patrick Wilson brings the persona of Clark Kent to a very Adam West Batman (costume-wise) version of the second Nite Owl. Billy Crudup's voice is soothing and appropriate as Dr. Manhattan. Matthew Goode was intellectual and intimidating as Ozymandias. I hope to see more from him in the future.
I won't nit-pick about what was left out of the film because that's a fairly useless way to go about things on what is a FILM review. I learned my lesson when I was 13 and would not stop nit-picking about what was left out of a Harry Potter film. What is important is that this film contains much of the spirit of the original source. Watchman is still very much so a thinking comic book fan's film. Whether it appeals to audiences outside of that group is up to the box office figures to say.
I won't deny there are some cogs that don't mesh. For the love of God, could our make-up and prosthetics teams come as far as CGI has in the last 17 years? Some of the agings are fairly unrealistic. The violence didn't need to be quite this graphic, which is not to say the fights weren't entertaining. They are, but some of the bone crunching would have been more effective had it not been so splattered in our faces. The fights are lovely and visceral, but more befitting of current superhero films than of Moore's original work. Hence my being on the fence about that subject. There's also the heavy hint of Snyder's slo-motion work, which was really over-used on 300 and borders on being so at times here.
Not all of Watchmen meshes as a whole, but it's still an entertaining film that I'd gladly see again. A must for fans of comic books, philosophy and history, Watchmen gets a B+
Goodness, it took an ordeal to bring this to the cinema. I hope those who have waited far longer than me for Watchman are satisfied with the results. More than satisfied in my case. I enjoyed the graphic novel, loved Rorschach and Ozymandias, but didn't acquire quite the same level of adoration as millions of other comic book fans. I can safely say that Zack Snyder and screenwriter David Hayter did a fine job transposing the enormous source material into something fitting for the cinema. Is it perfect? No. But it's as good as anyone could hope for, and I had a really good time.
First off, Jackie Earle Haley deserves much props, if not some sort of nomination for bringing this excellent portrayal of Rorschach to the screen. He is an inspired choice, though I will always wonder how Daniel Craig would have done. Patrick Wilson brings the persona of Clark Kent to a very Adam West Batman (costume-wise) version of the second Nite Owl. Billy Crudup's voice is soothing and appropriate as Dr. Manhattan. Matthew Goode was intellectual and intimidating as Ozymandias. I hope to see more from him in the future.
I won't nit-pick about what was left out of the film because that's a fairly useless way to go about things on what is a FILM review. I learned my lesson when I was 13 and would not stop nit-picking about what was left out of a Harry Potter film. What is important is that this film contains much of the spirit of the original source. Watchman is still very much so a thinking comic book fan's film. Whether it appeals to audiences outside of that group is up to the box office figures to say.
I won't deny there are some cogs that don't mesh. For the love of God, could our make-up and prosthetics teams come as far as CGI has in the last 17 years? Some of the agings are fairly unrealistic. The violence didn't need to be quite this graphic, which is not to say the fights weren't entertaining. They are, but some of the bone crunching would have been more effective had it not been so splattered in our faces. The fights are lovely and visceral, but more befitting of current superhero films than of Moore's original work. Hence my being on the fence about that subject. There's also the heavy hint of Snyder's slo-motion work, which was really over-used on 300 and borders on being so at times here.
Not all of Watchmen meshes as a whole, but it's still an entertaining film that I'd gladly see again. A must for fans of comic books, philosophy and history, Watchmen gets a B+