Cary Grant and Ingrid Bergman give a masterclass in screen chemistry, and look very much like a couple in the throes of new love. That strange fascination you have for each other, the long, almost quizzical stares, comfortable moments of silence - it's all there, given ample time to breathe and play out naturally by director Stanley Donen's unhurried camera.
The ending feels a little rushed though, especially in the final moments, and the film as a whole feels considerably longer than its runtime but those flaws are far from fatal. What's a little more disappointing is the lack of any really remarkable humour. It nails the romance, but seems undecided as to whether it wants to be a comedy or not. Before the jarring switch to semi-farce in the final act most of the humour comes from supporting actors and consequently feels like something of an afterthought.
Overall this is a class act. A sophisticated, quiet romantic comedy that sees everyone involved at the top of their game. And while it's not a perfect confection it's sweet enough to satisfy even the most helpless of romantics.
The ending feels a little rushed though, especially in the final moments, and the film as a whole feels considerably longer than its runtime but those flaws are far from fatal. What's a little more disappointing is the lack of any really remarkable humour. It nails the romance, but seems undecided as to whether it wants to be a comedy or not. Before the jarring switch to semi-farce in the final act most of the humour comes from supporting actors and consequently feels like something of an afterthought.
Overall this is a class act. A sophisticated, quiet romantic comedy that sees everyone involved at the top of their game. And while it's not a perfect confection it's sweet enough to satisfy even the most helpless of romantics.