Clocking in 138 minute and 162 minutes respectively, K20 and Watchmen constitute a very interesting comparison. Both are adapted from popular comics. Both are long, but for entirely different reasons. Watchmen has quite a few stories to tell, which it does using current style of movie-making, with deft editing and temporal scrambles, among other things. K20 has a relatively simple storyline (but with good suspense and twists) and employs the traditional way taking its good time in developing plots and characters. Both are well made. I have already commented on Watchmen. Here is a brief report on K20.
Just as Watchmen uses the backdrop of an alternative US, K20 happens in an alternative Japan, one that has avoided WW II but degenerated into a rich-getting-richer and poor-getting-poorer unjust society. Enters K20, a mysterious mix of Robin Hood and Batman that has become the curse of the police department. But when K20 stoops to setting up and framing top-notch circle magician (but still poor because his profession is considered to be at the bottom of the class structure) Heikiche Endo in one of his burglary jobs, the hero's integrity becomes questionable. The main plot follows the fugitive Endo's quest in trying to clear is own name so that he can return to the circle that is like family to him.
I wouldn't indulge in the sub-plot and details but would just say that this movie, which tells a human story, is rich in contents, with both comedy and poignancy (although the tone is generally light). There is a good variety of interesting characters (well acted) and an ultimate conspiracy of global scale. There is a "National Treasure" type of puzzle, as well as a few twists that are more than just acceptable. The stunt work is exciting and beautiful to watch. Special effects, wisely not overused, are impressive when they appear.
Takeshi Kaneshiro, arguably the number one lady killer in Asia, delivers in that role but also in a comical persona when required. Takako Matsu ("April story", "Hidden blade") brings a delightful touch to her character, taking her own good time in exploring its many possibilities. The supporting cast is excellent. K20 is the sort of movie that may seem to start slowly (especially if you are on regular Hollywood staple) but grows on you. By the time you reach the satisfactory conclusion, you'll be hoping for a sequel. There is a good chance that there'll be one. I certainly hope so.
Just as Watchmen uses the backdrop of an alternative US, K20 happens in an alternative Japan, one that has avoided WW II but degenerated into a rich-getting-richer and poor-getting-poorer unjust society. Enters K20, a mysterious mix of Robin Hood and Batman that has become the curse of the police department. But when K20 stoops to setting up and framing top-notch circle magician (but still poor because his profession is considered to be at the bottom of the class structure) Heikiche Endo in one of his burglary jobs, the hero's integrity becomes questionable. The main plot follows the fugitive Endo's quest in trying to clear is own name so that he can return to the circle that is like family to him.
I wouldn't indulge in the sub-plot and details but would just say that this movie, which tells a human story, is rich in contents, with both comedy and poignancy (although the tone is generally light). There is a good variety of interesting characters (well acted) and an ultimate conspiracy of global scale. There is a "National Treasure" type of puzzle, as well as a few twists that are more than just acceptable. The stunt work is exciting and beautiful to watch. Special effects, wisely not overused, are impressive when they appear.
Takeshi Kaneshiro, arguably the number one lady killer in Asia, delivers in that role but also in a comical persona when required. Takako Matsu ("April story", "Hidden blade") brings a delightful touch to her character, taking her own good time in exploring its many possibilities. The supporting cast is excellent. K20 is the sort of movie that may seem to start slowly (especially if you are on regular Hollywood staple) but grows on you. By the time you reach the satisfactory conclusion, you'll be hoping for a sequel. There is a good chance that there'll be one. I certainly hope so.