Marvellous late German silent that anticipates the Italian neo-realists, although I note some claim that this is not realistic at all and may even be showing struggling Berlin through rose tinted glasses. I'm not sure; those fantastic city sequences seem real enough and perhaps the regularly intoned opinion that Hitler was lurking in the shadows of a dispirited people, is itself a little fanciful. In any event this is a great little film filled with fantastic shots, moving street shots of and from moving trams, poetic close-ups of the young folk and a great sense of landscape at the lakeside. As usual with me and silent movies, I seem to get captions I don't need because the action is so obvious and whole sequences of back and forth dialogue left untitled. But just to watch the imagery is good enough and the little trysts, arguments, upsets and loving looks need no titles at all.
Review of People on Sunday
