Confident direction and a good deal of atmosphere cannot disguise the fact that The Dead Pit, the debut from director Brett Leonard, makes very little sense. The film's confusing narrative sees a beautiful young amnesiac experiencing a series of horrifying hallucinations and nightmares whilst staying at an institution for the mentally ill. But what the poor girl doesn't realise is that the bloody surgeon that is haunting her dreams is actually real, the reanimated spirit of a murderous doctor who was walled up in the asylum basement twenty years earlier. Freed by a recent earthquake, the nasty doc is out to complete his gory experiments whilst seeking revenge on the psychiatrist who entombed him.
Quite how the malevolent doc is able to return to life is never adequately explained; neither is what he is trying to achieve with his messy work, or how he manages to remain invisible to everyone but Jane (the identity chosen by our forgetful heroine), And with far too many contrivances necessary to wrap the whole affair up tidily for the finalé, the film is just too far-fetched for its own good.
The silly ending expects the viewer to suspend belief as it reveals that a) the killer surgeon is actually Jane's father b) the surgeon is able to command an army of zombies c) the zombies can only be destroyed with holy water d) a huge water tower stands over the asylum e) one of the patients is a demolition expert f) another is a nun and knows how to consecrate water, and g) the raw materials for a bomb can be found in the asylum's workshop!!! It doesn't take a genius to figure out what is going to happen, or to realise that such a string of coincidences are astronomically unlikely (that's the understatement of the century).
On a positive note, lead actress Cheryl Lawson is very tasty and spends much of the film running around in a pair of white panties and a cropped T-shirt so flimsy that in one scene it is torn from her body by water from a hose. Leonard also sees fit to include some fairly decent gore to liven things up a little, but the gratuitous female flesh and bloody effects still aren't enough to detract from the lousy storytelling.
Director Leonard would go on to have some success with his Stephen King adaptation The Lawnmower Man, but his career seems to have gone into a nosedive recently after giving sci-fi fans what is reputed to be the worst of the Highlander franchise (and boy, it must be really bad to stink more than the second one!).
Quite how the malevolent doc is able to return to life is never adequately explained; neither is what he is trying to achieve with his messy work, or how he manages to remain invisible to everyone but Jane (the identity chosen by our forgetful heroine), And with far too many contrivances necessary to wrap the whole affair up tidily for the finalé, the film is just too far-fetched for its own good.
The silly ending expects the viewer to suspend belief as it reveals that a) the killer surgeon is actually Jane's father b) the surgeon is able to command an army of zombies c) the zombies can only be destroyed with holy water d) a huge water tower stands over the asylum e) one of the patients is a demolition expert f) another is a nun and knows how to consecrate water, and g) the raw materials for a bomb can be found in the asylum's workshop!!! It doesn't take a genius to figure out what is going to happen, or to realise that such a string of coincidences are astronomically unlikely (that's the understatement of the century).
On a positive note, lead actress Cheryl Lawson is very tasty and spends much of the film running around in a pair of white panties and a cropped T-shirt so flimsy that in one scene it is torn from her body by water from a hose. Leonard also sees fit to include some fairly decent gore to liven things up a little, but the gratuitous female flesh and bloody effects still aren't enough to detract from the lousy storytelling.
Director Leonard would go on to have some success with his Stephen King adaptation The Lawnmower Man, but his career seems to have gone into a nosedive recently after giving sci-fi fans what is reputed to be the worst of the Highlander franchise (and boy, it must be really bad to stink more than the second one!).