What we have here is an extended, unbearable New Voyages episode, complete with James Cawley (AKA Elvis Kirk), who evidently bartered use of his sets for a cameo appearance as Captain Kirk's nephew and a comfy seat at the conn for pal Jeffery Quinn. Too bad he didn't farm out his CG team either, because the outer space visuals in this production would make the "Space Rangers" (1993) effects crew snicker. Fidelity to Trek vessels aside, these shots are the computer age equivalent of a third grader with A.D.D. nearly puncturing the margins of notebook paper with ballpoint blue lasers and whirly explosions to depict spaceship wars.
Here's what happens when the typical fanboy script with hackneyed dialogue is actually produced, but somehow attracts an array of Star Trek luminaries: Nichelle Nichols and Walter Koenig must have realized this could be their last stab at committing their iconic characters to the screen. Tuvok directs and brings on Voyager chums Ethan Phillips and Garrett Wang. Alan Ruck is the one I felt the worst for; he's the canon likeness of the USS Enterprise-B captain with one on-screen appearance to his credit, but a clear grasp of Paramount's non-existent desire to produce new Captain Harriman material. As such it's easy to figure why he would volunteer his time to a fan production; an opportunity to insert himself once more, however unofficial, into Trek lore. Unfortunately instead of a straight Enterprise-B adventure (which this should have been with his participation, period), he's mired in a barely watchable stageplay with no character development whatsoever. By the end of the movie, we have no clearer impression of who Captain Harriman is than we did at the end of his scenes in STAR TREK: GENERATIONS. What a waste. I really thought it was going to be something special to rival the official Star Trek movies as "the one just for the fans" that Paramount never quite pulled off. Not the case. In fact now I understand why this sorta "came and went" with barely a whisper. All the ship drama occurs on the New Voyages Constitution-class Enterprise. One scene even drags out in the transporter room for what seemed like twenty full minutes! The wooden direction casts professional actors like Walter Koenig and Alan Ruck in an amateurish flare, akin to deer in headlights. To its credit, there are some nice location shoots like Vazquez Rocks and a couple of gardens that serve as the planet Vulcan. Initially I was impressed when Charlie X showed up and I thought they'd gotten the original actor, but he isn't.
The DVD case is interesting. One quote describes this as the "... most intelligent and thought provoking Star Trek movie ever created." I don't know about intelligent, but it definitely provoked my thoughts, as evidenced by this review. I suppose if the only Star Trek one has ever seen is the TNG eps where Ro and Guinan turn into kids and quell a Ferengi takeover of the ship, and the one where Dr. Crusher's dead grandmother's Scottish boyfriend's ghost shows up, OGaM could seem like the most intelligent Trek ever, but sadly this is one disc that will sit on my shelf for years until I feel the urge to punish myself for being a fan, or whenever I want to make my friends stare at my TV in horror... before getting their MST3K on.
Here's what happens when the typical fanboy script with hackneyed dialogue is actually produced, but somehow attracts an array of Star Trek luminaries: Nichelle Nichols and Walter Koenig must have realized this could be their last stab at committing their iconic characters to the screen. Tuvok directs and brings on Voyager chums Ethan Phillips and Garrett Wang. Alan Ruck is the one I felt the worst for; he's the canon likeness of the USS Enterprise-B captain with one on-screen appearance to his credit, but a clear grasp of Paramount's non-existent desire to produce new Captain Harriman material. As such it's easy to figure why he would volunteer his time to a fan production; an opportunity to insert himself once more, however unofficial, into Trek lore. Unfortunately instead of a straight Enterprise-B adventure (which this should have been with his participation, period), he's mired in a barely watchable stageplay with no character development whatsoever. By the end of the movie, we have no clearer impression of who Captain Harriman is than we did at the end of his scenes in STAR TREK: GENERATIONS. What a waste. I really thought it was going to be something special to rival the official Star Trek movies as "the one just for the fans" that Paramount never quite pulled off. Not the case. In fact now I understand why this sorta "came and went" with barely a whisper. All the ship drama occurs on the New Voyages Constitution-class Enterprise. One scene even drags out in the transporter room for what seemed like twenty full minutes! The wooden direction casts professional actors like Walter Koenig and Alan Ruck in an amateurish flare, akin to deer in headlights. To its credit, there are some nice location shoots like Vazquez Rocks and a couple of gardens that serve as the planet Vulcan. Initially I was impressed when Charlie X showed up and I thought they'd gotten the original actor, but he isn't.
The DVD case is interesting. One quote describes this as the "... most intelligent and thought provoking Star Trek movie ever created." I don't know about intelligent, but it definitely provoked my thoughts, as evidenced by this review. I suppose if the only Star Trek one has ever seen is the TNG eps where Ro and Guinan turn into kids and quell a Ferengi takeover of the ship, and the one where Dr. Crusher's dead grandmother's Scottish boyfriend's ghost shows up, OGaM could seem like the most intelligent Trek ever, but sadly this is one disc that will sit on my shelf for years until I feel the urge to punish myself for being a fan, or whenever I want to make my friends stare at my TV in horror... before getting their MST3K on.