Revisitng Laurel and Hardy's films it's surprising to see that the practice of slipping in a few adult references for the grown-ups wasn't the idea of the makers of full-length 90s cartoon films. As other reviewers have mentioned, Ollie's comment to Mae Busch, the wife of the diminutive neighbouring shopkeeper with whom he is embroiled in the 'tit for tat' feud of the title, is clearly a deliberate double-entendre that somehow slipped by the censors as, no doubt, it would have any watching children. There's a similar sight gag in County Hospital that is quite subtle by comparison but no doubt just as deliberate.
Anyway, this one's pretty good. It's a sequel to the previous year's Them Thar Hills which introduced us to the memorable song lyric Pom Pom and it probably just shades that one for laughs. The boys were at the top of their game in the mid-thirties thanks to sharp, well-paced shorts like these and some of the touches here are truly first-class.
Anyway, this one's pretty good. It's a sequel to the previous year's Them Thar Hills which introduced us to the memorable song lyric Pom Pom and it probably just shades that one for laughs. The boys were at the top of their game in the mid-thirties thanks to sharp, well-paced shorts like these and some of the touches here are truly first-class.