The archetype prison break picture may show it's age but it has some decent action scenes, good performances and an oppressive and intimidating setting that enables it to retain a creaky toughness.
Imprisoned after being convicted of a drunk driving, death resulting charge privileged Kent Marlowe (Robert Montgomery) finds himself in an inhuman environment of an overcrowded prison. There he meets the likes of hardened criminals Machine Gun Schmidt (Wally Beery) and cell mate John Morgan (Chester Morris) who attempts to teach him the ropes. Marlowe in turn sets up Morgan causing him to be denied parole. Morgan is forced to go over the wall but is recaptured and returned just in time to participate in a major break out.
Some of the Big House is downright preposterous with stilted dialog and lame brain logic but Beery and Morris come across well as pretty tough mugs and Montgomery's Marlowe is a suitably craven rat. There's a bravura prison riot at the tail end of the film that is well edited and suspenseful pitting Beery against the warden played by Lewis Stone who refuses to meet inmate demands and stoically responds to the threat of hostage sacrifice by calling in tanks. In its own way and especially in its time The Big House is as uncompromisingly tough as the warden.
Imprisoned after being convicted of a drunk driving, death resulting charge privileged Kent Marlowe (Robert Montgomery) finds himself in an inhuman environment of an overcrowded prison. There he meets the likes of hardened criminals Machine Gun Schmidt (Wally Beery) and cell mate John Morgan (Chester Morris) who attempts to teach him the ropes. Marlowe in turn sets up Morgan causing him to be denied parole. Morgan is forced to go over the wall but is recaptured and returned just in time to participate in a major break out.
Some of the Big House is downright preposterous with stilted dialog and lame brain logic but Beery and Morris come across well as pretty tough mugs and Montgomery's Marlowe is a suitably craven rat. There's a bravura prison riot at the tail end of the film that is well edited and suspenseful pitting Beery against the warden played by Lewis Stone who refuses to meet inmate demands and stoically responds to the threat of hostage sacrifice by calling in tanks. In its own way and especially in its time The Big House is as uncompromisingly tough as the warden.