"The Mutations" is a middling, mostly forgettable horror movie from the mid 70's. Set in trendy London, it tells the tale of a carnival freak show who run a sideline in kidnapping innocent victims to be the subject of evil experiments! That's all the plot there is, really, and the film doesn't really do a lot with it. It just goes through the motions of showing the freak show, showing some victims get nabbed, and then showing the expected climax. The film has several very silly elements to it. All the kidnapped youngsters are from the same college, and in fact they are all from a single group of four friends! The experiments themselves are very vaguely explained, but they lead to very dramatic mutated monsters.
As a London resident I also found a lot to enjoy in the locations...is Battersea Park (the location of the carnival in the movie) really such a dangerous foggy wilderness as it is depicted here? (Maybe it was in the 1970's...). And the exterior location for the students college is actually The Royal Albert Hall! They should be so lucky! Some good points are: Donald Pleasance does his usual good job as a softly spoken but deadly scientist. And Tom Baker does a great job, unrecognisable in ugly face make-up as the scientist's deformed assistant. And the monsterized victims look quite fun, and there's one grisly scene in which a walking plant-thing drains the life out of someone. Although check out a big goof here, where a really big gap between the monster's head and chest suit shows off the actors pink neck in between - which spoils an otherwise effective moment! There are also a few scenes that showcase some real-life "freaks" used in the film, which can't help but seem exploitative. They do get a chance to act, though, in the additional sub-plot in which the freaks rebel against the one among them who is "the real monster" - there are heavy echoes of Todd Browning's famous "Freaks" here.
To sum up, it's not really very memorable. The whole story is rushed through at great speed, there's no depth to any of the characters (no time!), and everything seems pretty small scale. The scientist's lab is also filmed at Oakley Court, which stood in for a spooky mansion in dozens of British horror movies filmed around this time, such as The Rocky Horror Picture Show, And Now The Screaming Starts, Girly, and loads more, so personally, I have seen this place on celluloid far too often!
As a London resident I also found a lot to enjoy in the locations...is Battersea Park (the location of the carnival in the movie) really such a dangerous foggy wilderness as it is depicted here? (Maybe it was in the 1970's...). And the exterior location for the students college is actually The Royal Albert Hall! They should be so lucky! Some good points are: Donald Pleasance does his usual good job as a softly spoken but deadly scientist. And Tom Baker does a great job, unrecognisable in ugly face make-up as the scientist's deformed assistant. And the monsterized victims look quite fun, and there's one grisly scene in which a walking plant-thing drains the life out of someone. Although check out a big goof here, where a really big gap between the monster's head and chest suit shows off the actors pink neck in between - which spoils an otherwise effective moment! There are also a few scenes that showcase some real-life "freaks" used in the film, which can't help but seem exploitative. They do get a chance to act, though, in the additional sub-plot in which the freaks rebel against the one among them who is "the real monster" - there are heavy echoes of Todd Browning's famous "Freaks" here.
To sum up, it's not really very memorable. The whole story is rushed through at great speed, there's no depth to any of the characters (no time!), and everything seems pretty small scale. The scientist's lab is also filmed at Oakley Court, which stood in for a spooky mansion in dozens of British horror movies filmed around this time, such as The Rocky Horror Picture Show, And Now The Screaming Starts, Girly, and loads more, so personally, I have seen this place on celluloid far too often!