Review of Local Color

Local Color (2006)
7/10
Summer of '74
5 July 2009
Warning: Spoilers
John Talia Jr. wanted to be a painter. He realized that coming from a humble home and having a homophobic father, he didn't have a chance to make it in the art world. What's more, John wanted to absorb all he could from a reclusive landscape painter, Nicoli Seroff, that lived near him. For that, he appeals to Nicoli himself, who at first is puzzled by what John wants, so he refuses the lad. Seroff becomes intrigued by the young man's ambition and takes him as his assistant when he goes to a Pennsylvania farm where he works.

Nicoli is a nasty, vodka drinking loud mouth who takes any opportunity he can to berate the young man; he even asks his new apprentice to do menial jobs around the farm. If John thought he was going to learn a lot from this guy, he was probably insane, but eventually master and pupil come to an understanding of what each one brings to a point they will remember forever. Relief comes in the shape of Carla, a neighbor of Nicoli, who awakens in the youth to a possibility of love.

George Gallo, a painter himself, wrote and directed this drama that might be autobiographical, for all we know. The film, which opened in Manhattan recently, seemed to have been shelved for almost three years, although we saw it some time ago in other markets and overseas.

Trevor Morgan is the young aspiring painter. He is credible and his inter action with a veteran actor Armin Mueller-Stahl is the most interesting aspect of the film. Mr. Mueller-Stahl makes a wonderful and complex Nicoli Seroff. Ray Liotta plays the homophobic father and Samantha Mathis is Carla.

The film is a nostalgic trip to the past.
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