Cannon productions backs another American colonel James Braddock film to the surprising hit that was the 1984 Chuck Norris starring post-Vietnam action-flick "Missing In Action". This sequel 'The Beginning' is a prequel to the original and from the trivia on this site it explains that it was actually made before Joseph Zito's film which was shot back to back with number two. I guessed they liked Zito's effort more, and you can see why. But this spirited entry is not a complete lost.
This very low-cost, raw looking sequel (prequel) seems to primarily parade around its many fragmented set-pieces of brutally unpleasant torture and demoralizing spirit-breaking with little in a way of story to back it all up. Due to this it could lull and get fairly repetitive making it feel longer than it is, but it gets you emotionally invested and few and far between are some effective moments like a rat in a bag sequence. After a slowly lean get-up amongst the stinking hot jungle setting and POW camp (which for most part is completely dreary), it finally breaks the shackles in the last half-hour or so with blistering action (even if some of it is poorly conceived) complete with explosions and Norris suitably paying back some of his own medicine in what is a fittingly tough and cheering confrontation (due to what has gone before it) with the sadistically malevolent Colonel Yin performed with smarting glee by Soon Tek-oh. Norris looking quite weathered and bruised goes about things in a steely and scrappy manner until the rage he kept inside finally breaks out after the constant torment to get him to confess to the unheralded crimes. The acting is inconsistent, but the cast features the likes of Steven Williams (probably best known for his part as X in the 'X-Files' series), John Wesley and Professor Toru Tanaka. Lance Hool's direction is fundamentally gritty, but authentic in style. Adding to the drama is Brian May's bombastic score with a somber touch at times within its cues.
Although I've seen this feature quite a few times, it's not as entertaining as the first film, but Cannon's cheap-jack b-grade fodder still packs grit and brute force.
This very low-cost, raw looking sequel (prequel) seems to primarily parade around its many fragmented set-pieces of brutally unpleasant torture and demoralizing spirit-breaking with little in a way of story to back it all up. Due to this it could lull and get fairly repetitive making it feel longer than it is, but it gets you emotionally invested and few and far between are some effective moments like a rat in a bag sequence. After a slowly lean get-up amongst the stinking hot jungle setting and POW camp (which for most part is completely dreary), it finally breaks the shackles in the last half-hour or so with blistering action (even if some of it is poorly conceived) complete with explosions and Norris suitably paying back some of his own medicine in what is a fittingly tough and cheering confrontation (due to what has gone before it) with the sadistically malevolent Colonel Yin performed with smarting glee by Soon Tek-oh. Norris looking quite weathered and bruised goes about things in a steely and scrappy manner until the rage he kept inside finally breaks out after the constant torment to get him to confess to the unheralded crimes. The acting is inconsistent, but the cast features the likes of Steven Williams (probably best known for his part as X in the 'X-Files' series), John Wesley and Professor Toru Tanaka. Lance Hool's direction is fundamentally gritty, but authentic in style. Adding to the drama is Brian May's bombastic score with a somber touch at times within its cues.
Although I've seen this feature quite a few times, it's not as entertaining as the first film, but Cannon's cheap-jack b-grade fodder still packs grit and brute force.