Sterling Hayden, a guy stuck in the middle of the desert with a broken down car, agrees to help drive Ruth Roman, a nervous woman in a hurry, to Santa Fe. In doing so, he takes the first of FIVE STEPS TO DANGER.
A lot of movies made in the 40s and 50s, intentionally or not, end up celebrating the glories of the American Road, presumably because filming on the highway was cheaper and easier than building a set. This one, featuring views of mid 50s cars, gas stations, roadside dives, vacation lodges and hotel lobbies, is better than most at showing the real look of roadside America, 1955. Additionally, for the first half of the movie, the plot is pretty good, too, as the filmmaker does a decent job of sowing doubt as to whether female lead Ruth Roman is just a gal with a case of nerves, or a dangerous femme fatale. Unfortunately, as is the case with a lot of B films, the premise is better than the execution, and the ultimate implausibility and banality of the goings on makes the second half of the film less interesting. But the rather good start to the movie will probably keep you interested enough to stay to the end, where all is explained by the good-hearted CIA agent.
If you are a sucker for midcentury cool or low budget crime dramas, this one is for you. But don't expect a brilliant ending, or a good performance from Werner (Col. Clink) Klemperer.
A lot of movies made in the 40s and 50s, intentionally or not, end up celebrating the glories of the American Road, presumably because filming on the highway was cheaper and easier than building a set. This one, featuring views of mid 50s cars, gas stations, roadside dives, vacation lodges and hotel lobbies, is better than most at showing the real look of roadside America, 1955. Additionally, for the first half of the movie, the plot is pretty good, too, as the filmmaker does a decent job of sowing doubt as to whether female lead Ruth Roman is just a gal with a case of nerves, or a dangerous femme fatale. Unfortunately, as is the case with a lot of B films, the premise is better than the execution, and the ultimate implausibility and banality of the goings on makes the second half of the film less interesting. But the rather good start to the movie will probably keep you interested enough to stay to the end, where all is explained by the good-hearted CIA agent.
If you are a sucker for midcentury cool or low budget crime dramas, this one is for you. But don't expect a brilliant ending, or a good performance from Werner (Col. Clink) Klemperer.