7/10
Calling Alec Guinness
21 September 2009
Warning: Spoilers
Professionally executed, well, that's the least you can say about a Steven Soderbergh movie but, I felt, the whole thing had been done in a rush without real conviction, merely to showcase the talents of a friend, Matt Damon in this case. Terrific pace, involving and surprising. That's more I can say about most movies but The Informant with or without the exclamation mark left me kind of cold. I was far too aware of the intention. Matt Damon is a good actor but his acting is still too much of that, acting. I couldn't forget it was him, not for a moment. No matter how much extra pounds he had put on, the terrible hair do, the suits etc. It all felt like the dress rehearsal for something that wasn't quite there yet. I longed for Alec Guinness in that part. Visibly invisible. The story is so outrageous, with bumbling, sentimental FBI agents that couldn't see through this man until it was too late, is a pill hard to swallow and yet, we're told, the whole thing it's true. I suppose that the Marvin Hamlisch score was enough of a clue as to how to detect and read the tone of the movie but I was confused by it. I also must say I was never bored so, I guess that's a recommendation of sorts.
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