Review of Alibi

Alibi (1929)
9/10
Some ground-breaking techniques in this early sound film
14 November 2009
Warning: Spoilers
Hitchcock's "Blackmail" and Lubitsch's "The Love Parade", are probably the very best of the early sound films made in 1929, but this one is close behind. I'm rating this film 9/10 when ranked with other early sound entries from 1929 -1934. Although the dialogue still has some of that halting quality that is common in early talkies, it doesn't cause the film to plod along. Instead, it moves along at a good pace and keeps you engaged. The actors have a pretty natural quality in their performance, Chester Morris in particular. He's the one actor you're likely to recognize, since he had a pretty good career in the 30's and 40's playing romantic leads first and then in a crime drama series later on.

The film starts out with Chick Williams (Chester Morris) being released from prison, supposedly after being framed by the police. He's dating the daughter of a hard-boiled detective, and from the way the detective and his subordinates handle things - not to mention his rough treatment of his daughter - at first you might believe Chick is a wronged guy. Shortly after Chick's release there is a robbery that goes bad in which a police officer is killed. Chick is suspect number one, except he has an alibi - the hard-boiled detective's daughter, and roughly a hundred other people who saw him at the theatre at the time of the robbery.

There are lots of little interesting tricks and turns in this movie, not to mention the interesting use of sound and the mounting of the camera on the front of the car so that as the police and the criminals speed around in the dark, you see what they see. Look at any other typically claustrophobic 1929 film, and you'll appreciate this even more. I also enjoyed how this film used musical numbers - not to intrude on the plot in a silly way as so many 1929 films did - but to add to the atmosphere of the club that Chick and his gang hang out at.

Finally there is Chester Morris' acting. He was nominated for a Best Actor Oscar for his performance, and he certainly deserved it. He transitioned from playing the smooth and possibly wronged man, to vicious criminal, to trembling coward quite believably. Not for another two years, when Edward G. Robinson and James Cagney came along, do we get quite such a powerful performance from an actor playing a gangster.

The one bad thing I'll say about the Kino DVD is that the sound has quite a bit of static in it. It's not terrible, but there are times when you need to really turn up the volume to understand what's being said.
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