A whole decade before Wes Craven produced his evil genie movie Wishmaster, director Tom Daley gave horror fans The Lamp (AKA The Outing), a reasonably fun 80s B-movie that also features an ancient, supernatural creature as its antagonist.
But whereas Wes Craven's malevolent being must cleverly twist his master's wishes in order to bring about pain and suffering, the nasty creature in director Tom Daley's The Lamp doesn't have to resort to such ingenuity: as the master, not the slave, he is free to cause whatever chaos he likes.
This means lots of trouble for Alex (Andra St. Ivanyi), the daughter of museum curator Dr. Wallace (James Huston), who becomes the genie's unwilling servant after trying on a magical armband she finds in her father's office. Unable to remove the trinket, Alex is tricked into convincing her friends to spend a night in the museum, where the genie sets about killing the teens in a variety of inventive ways.
As the genie goes about his wicked business, viewers get to witness decapitation via ceiling fan, an impalement on a spear, a mouldy corpse rising from the dead to munch on a bloke's fingers and jugular, a snake attack in a bath, a surprisingly nasty moment where two guys graphically rape a girl before getting a well deserved comeuppance, plus a little gratuitous nudity, and a very dumb finalé that could only have come from the 80s, a time when cheesiness knew no bounds.
With its iffy optical effects, rather shonky gore, silly monster, ropey acting, and wafer thin plot, The Lamp might not be anywhere near as polished as Craven's film, but should prove to be no less enjoyable, particularly for those already conditioned to similar low-budget hokum from the same era.
But whereas Wes Craven's malevolent being must cleverly twist his master's wishes in order to bring about pain and suffering, the nasty creature in director Tom Daley's The Lamp doesn't have to resort to such ingenuity: as the master, not the slave, he is free to cause whatever chaos he likes.
This means lots of trouble for Alex (Andra St. Ivanyi), the daughter of museum curator Dr. Wallace (James Huston), who becomes the genie's unwilling servant after trying on a magical armband she finds in her father's office. Unable to remove the trinket, Alex is tricked into convincing her friends to spend a night in the museum, where the genie sets about killing the teens in a variety of inventive ways.
As the genie goes about his wicked business, viewers get to witness decapitation via ceiling fan, an impalement on a spear, a mouldy corpse rising from the dead to munch on a bloke's fingers and jugular, a snake attack in a bath, a surprisingly nasty moment where two guys graphically rape a girl before getting a well deserved comeuppance, plus a little gratuitous nudity, and a very dumb finalé that could only have come from the 80s, a time when cheesiness knew no bounds.
With its iffy optical effects, rather shonky gore, silly monster, ropey acting, and wafer thin plot, The Lamp might not be anywhere near as polished as Craven's film, but should prove to be no less enjoyable, particularly for those already conditioned to similar low-budget hokum from the same era.