Director Barry Levinson ('Diner', 'The Natural', 'Good Morning, Vietnam', 'Rain Man', 'Avalon', Bugsy', etc) has obviously taken a chance with his latest film YOU DON'T KNOW JACK, a cinematic evaluation of the notorious and controversial Dr. Jack Kevorkian, the Detroit pathologist who upon retiring from his career felt compelled to create a manner for people suffering chronic disease, paralytic illness, chemotherapy failures, and those pleading to die with dignity to have a choice as to whether they by law must linger in misery or be given the opportunity to have a doctor assisted suicide. Whether or not viewers react positively or negatively to this film for HBO will probably be tainted with personal convictions about assisted suicide rather than whether the film is worthy or a diatribe. But that is the still ongoing dilemma of the topic raised by the elderly Armenian physician's choices or convictions and one that the film explores well.
As for the film itself, it is a tour de force of acting performances: Al Pacino transforms himself physically and technically to bring the personality of Jack Kevorkian to life. It is a role of so many fine nuances that demonstrates ho Pacino truly does inhabit the title of the film. This Kevorkian is shown to be a man driven to be an outspoken activists for human rights - especially the right to die. His sister Margo, played to perfection by Brenda Vacarro, is the lonely Jack's sole source of emotional support, while his old friend and hospital medic Neal Nicol (who technically assists Kevorkian) is made a three dimensional person by John Goodman. Another supporter is the Hemlock Society worker Janet Good, another fine role for Susan Sarandon, and Danny Huston (almost unrecognizable in a wig) is Jack's pro bono lawyer Geoffrey Fieger. The technique used by Kevorkian is to interview people who approach him pleading to end their lives (some have tried regular suicide attempts before), make a video of the patient and family requesting assisted suicide, be sure the family and patient are serious and ready and only then provide the service with a contraption loaded with sedative and KCL that is triggered by the patient. Many of the actual patients are reenacted by a cadre of fine actors in scenes of pleading that tug at the heart.
Kevorkian is placed on trial by the courts in Michigan and finally after 133 assisted suicides is sentenced to prison - but not until after frequent jailings accompanied by Kevorkian's hunger strikes have resulted in his being released due to the finesse of his lawyer. Though Kevorkian has a large number of people who feel he is a cruel serial killer, this film presents the more human side of a man motivated to provide an alternative to patients suffering the lingering agonies of medically approved slow deaths. There are several tender scenes in this film, but the one that is a triumph of writing and acting is a conversation between Sarandon and Pacino as to what happened in Jack's childhood that began the idea for his mission. If viewers can get past their personal issues with the subject, then they will be witness to a superb film and terrific acting that will likely lead to an Emmy for at least Pacino. Watch this and learn.
Grady Harp
As for the film itself, it is a tour de force of acting performances: Al Pacino transforms himself physically and technically to bring the personality of Jack Kevorkian to life. It is a role of so many fine nuances that demonstrates ho Pacino truly does inhabit the title of the film. This Kevorkian is shown to be a man driven to be an outspoken activists for human rights - especially the right to die. His sister Margo, played to perfection by Brenda Vacarro, is the lonely Jack's sole source of emotional support, while his old friend and hospital medic Neal Nicol (who technically assists Kevorkian) is made a three dimensional person by John Goodman. Another supporter is the Hemlock Society worker Janet Good, another fine role for Susan Sarandon, and Danny Huston (almost unrecognizable in a wig) is Jack's pro bono lawyer Geoffrey Fieger. The technique used by Kevorkian is to interview people who approach him pleading to end their lives (some have tried regular suicide attempts before), make a video of the patient and family requesting assisted suicide, be sure the family and patient are serious and ready and only then provide the service with a contraption loaded with sedative and KCL that is triggered by the patient. Many of the actual patients are reenacted by a cadre of fine actors in scenes of pleading that tug at the heart.
Kevorkian is placed on trial by the courts in Michigan and finally after 133 assisted suicides is sentenced to prison - but not until after frequent jailings accompanied by Kevorkian's hunger strikes have resulted in his being released due to the finesse of his lawyer. Though Kevorkian has a large number of people who feel he is a cruel serial killer, this film presents the more human side of a man motivated to provide an alternative to patients suffering the lingering agonies of medically approved slow deaths. There are several tender scenes in this film, but the one that is a triumph of writing and acting is a conversation between Sarandon and Pacino as to what happened in Jack's childhood that began the idea for his mission. If viewers can get past their personal issues with the subject, then they will be witness to a superb film and terrific acting that will likely lead to an Emmy for at least Pacino. Watch this and learn.
Grady Harp