Yul Brynner and Dean (The Red Elvis) Reed team up with a group of Mexican revolutionaries in order to steal a shipment of gold belonging to the invading Austrian army and use it to buy guns for the resistance. However, the vicious Austrian occupiers have a few tricks up their sleeves and so does Brynner.
Yul's only real spaghetti western, his performance, flamboyant outfit, and neat gun-play elevates this very much typical, though well-made production to a higher level than it otherwise would have been. It's still too bland though.
The score by frequent Ennio Morricone collaborator Bruno Nicolai is pretty good.
From the producers and director of the earlier Sabata, this similarly themed film only became a sequel in the dubbing booth.
Yul's only real spaghetti western, his performance, flamboyant outfit, and neat gun-play elevates this very much typical, though well-made production to a higher level than it otherwise would have been. It's still too bland though.
The score by frequent Ennio Morricone collaborator Bruno Nicolai is pretty good.
From the producers and director of the earlier Sabata, this similarly themed film only became a sequel in the dubbing booth.