The aforementioned reviewers have some interesting things to say about the screenplay, direction and the cast. Unfortunately, no mention has been made about the cinematography (first-rate) and the excellent music score composed and conducted by Daniele Amfitheatrof. The composer employed the services of an augmented orchestra, which in some cues numbers in excess of 100-players. In one scene (unfortunately cut from the release print) Amfitheatrof composed a dissonant motif in a syncopated dance-band rhythm, over which an electric violin plays a bittersweet theme. The great Andre Previn worked as one of the copyists on the score.