This sort of film could only have been made late in Robert Taylor's career. That's because under the old studio system, he was one of MGM's stars and the pictures they put him in were all very well written and produced. "The House of the Seven Hawks", in contrast, is not particularly well written or produced and shows just how far Taylor's career had sunk after he finally left MGM. Although this film was distributed by MGM, it was made by a crappy old film company in the UK and Holland--a far cry from his fancified MGM roots.
In this film, Taylor plays a schooner captain who is willing, when needed, to skirt British law. In this case, a Dutch undercover policeman offers to pay Taylor the then princely sum of 500 pounds to sneak him into Holland--and Taylor has no idea he's a cop. However, on the way, the man is found dead in his bunk--seemingly from a heart attack. When he reports this death to Dutch officials, he is taken into custody. After all, the authorities want to know why this man was trying to sneak back in the country. In addition, suddenly Taylor has acquired some 'friends' who also are very curious about what has happened not only to the dead man but some key he supposedly had on him or some mysterious overlay.
All in all, the film has only a moderately engaging plot and is very low energy. As a result, it just plods along until it ultimately ends. Nothing fancy or special about this one--just a journeyman performance by an actor who deserved better.
In this film, Taylor plays a schooner captain who is willing, when needed, to skirt British law. In this case, a Dutch undercover policeman offers to pay Taylor the then princely sum of 500 pounds to sneak him into Holland--and Taylor has no idea he's a cop. However, on the way, the man is found dead in his bunk--seemingly from a heart attack. When he reports this death to Dutch officials, he is taken into custody. After all, the authorities want to know why this man was trying to sneak back in the country. In addition, suddenly Taylor has acquired some 'friends' who also are very curious about what has happened not only to the dead man but some key he supposedly had on him or some mysterious overlay.
All in all, the film has only a moderately engaging plot and is very low energy. As a result, it just plods along until it ultimately ends. Nothing fancy or special about this one--just a journeyman performance by an actor who deserved better.