6/10
We all flocked to see it in the '60's
22 July 2010
Watching it again as I write this, I'm reminded of the numbers of us that flocked to see this and other Hammer offerings in the '60's. It was a preferred film type then, and until Roger Corman introduced psychedelia to the genre it was all comfortably predictable.

Remember, we had all heard of Aleister Crowley (a real satanist of recent times, supposedly), and were all reading Denis Wheatley (The Devil Rides Out, etc). So Hammer obliged and provided the visuals, with surprisingly lush colour and good enough effects.

The "chaps" were all exemplary gentlemen, and it's difficult to imagine how you can traipse around deepest Romania/Transylvania in broken-down horse drawn carriages and keep the crease in trousers / not get plastered in mud. Someone else mentioned that Hammer's "vampire" women always looked better than the real thing, but I have to disagree - the older woman of the foursome group looks extremely good to me (when not stressed and screaming).

It's all good fun, and entertainment for the masses - who responded favourably.

The genre has been revamped time and time again, since Nosferatu, and for the collector this one would have to be in it for completion. Add "Bram Stoker's Dracula" and "Shadow of the Vampire" to the already mentioned Nosferatu and you'd have the Transylvania style covered.

Mind you it's metamorphosed again with the likes of Twilight, with another cult following. Didn't have CGI back in the '60's!.
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