Often referred to as a giallo, The Pyjama Girl Case (or The Girl in the Yellow Pajamas) is one of the more unique entries into the sub-genre. Frankly, it's not really much of a giallo in my eyes. I look at it as more of a dramatic murder mystery with some underlying splashes of the yellow paint.
In Sydney, a young girl discovers the charred remains of a woman in an old car on the beach. The woman's face is too badly burned for the police to make a proper identification. The case is given to an inspector by the name of Ramsey, though retired Inspector Thompson insists on getting involved as well much to Ramsey's dismay. While we watch their investigation unfold, we are also treated to an alternate story involving a sexually troubled young woman who has gotten herself involved with three different men. What's the connection? Ray Milland is solid as the retired Thompson, and he delivers a few laughs to boot. He has a distaste for the methods that police have began using since his time on the force, and it's quite entertaining to watch his sense of glee whenever he's crowding Ramsey's space. Ramsey is a pretty unlikable guy too. He refuses to listen to Thompson's logical reasoning, and he tries his best to find a scapegoat as quickly as he can. Caring more about getting credit and going on a nice vacation as soon as possible, Ramsey is behind Thompson every step of the way.
On the alternate end of the spectrum, Dalila Di Lazzaro successfully captures the very troubled and torn nature of her character, Glenda. She spends her time between a wealthy doctor (Mel Ferrer) and a German factory employee (Howard Ross), both of whom she uses for meaningless sex. Through Roy, the German, she meets Antonio, a Polish waiter with a seemingly soft and sensitive nature. They fall for each other and marry, but the marriage is a very troubled one as Glenda, starved for both intimacy and an emotional connection, becomes very bored with the shy natured Antonio. This in turn sets off his jealous tendencies. As Antonio, I think Michele Placido gives what is perhaps the film's best performance. He's just as troubled as his wife, and his emotional outbursts seem genuine and heartfelt.
The film's unique narrative is constructed in an effective manner as we bounce back and forth not only between stories, but in time as well. Director Mogherini also throws in some wonderful pieces of misdirection throughout the alternating story lines. Carlo Carlini's cinematography is splendid. Sydney is a lovely city, and Carlini milks it for all it's worth, delivering some striking shots and images. Mogherini's film is further complimented by some rather arty directorial flourishes. One of my favorite sequences has tons of people in trance-like states shuffling around a tank containing the woman's body, the police hoping someone will be able to identify her. The scene plays to Riz Ortolani's beautifully haunting score, and has a very surreal, detached feel to it. It's a masterfully crafted little sequence.
Overall, while a stylish film, The Pyjama Girl Case is mainly about the characters. It's a very character driven story with a real emotional punch to it, something I wasn't expecting when I first gave it a go. I have zero reservations about recommending this to fans of gialli and Eurohorror in general. Just don't go in expecting your typical giallo.
In Sydney, a young girl discovers the charred remains of a woman in an old car on the beach. The woman's face is too badly burned for the police to make a proper identification. The case is given to an inspector by the name of Ramsey, though retired Inspector Thompson insists on getting involved as well much to Ramsey's dismay. While we watch their investigation unfold, we are also treated to an alternate story involving a sexually troubled young woman who has gotten herself involved with three different men. What's the connection? Ray Milland is solid as the retired Thompson, and he delivers a few laughs to boot. He has a distaste for the methods that police have began using since his time on the force, and it's quite entertaining to watch his sense of glee whenever he's crowding Ramsey's space. Ramsey is a pretty unlikable guy too. He refuses to listen to Thompson's logical reasoning, and he tries his best to find a scapegoat as quickly as he can. Caring more about getting credit and going on a nice vacation as soon as possible, Ramsey is behind Thompson every step of the way.
On the alternate end of the spectrum, Dalila Di Lazzaro successfully captures the very troubled and torn nature of her character, Glenda. She spends her time between a wealthy doctor (Mel Ferrer) and a German factory employee (Howard Ross), both of whom she uses for meaningless sex. Through Roy, the German, she meets Antonio, a Polish waiter with a seemingly soft and sensitive nature. They fall for each other and marry, but the marriage is a very troubled one as Glenda, starved for both intimacy and an emotional connection, becomes very bored with the shy natured Antonio. This in turn sets off his jealous tendencies. As Antonio, I think Michele Placido gives what is perhaps the film's best performance. He's just as troubled as his wife, and his emotional outbursts seem genuine and heartfelt.
The film's unique narrative is constructed in an effective manner as we bounce back and forth not only between stories, but in time as well. Director Mogherini also throws in some wonderful pieces of misdirection throughout the alternating story lines. Carlo Carlini's cinematography is splendid. Sydney is a lovely city, and Carlini milks it for all it's worth, delivering some striking shots and images. Mogherini's film is further complimented by some rather arty directorial flourishes. One of my favorite sequences has tons of people in trance-like states shuffling around a tank containing the woman's body, the police hoping someone will be able to identify her. The scene plays to Riz Ortolani's beautifully haunting score, and has a very surreal, detached feel to it. It's a masterfully crafted little sequence.
Overall, while a stylish film, The Pyjama Girl Case is mainly about the characters. It's a very character driven story with a real emotional punch to it, something I wasn't expecting when I first gave it a go. I have zero reservations about recommending this to fans of gialli and Eurohorror in general. Just don't go in expecting your typical giallo.