Neil Simon's Broadway success, brought to the screen in a dung-colored transfer. Walter Matthau plays three different men who check into suite 719 at the Plaza Hotel in New York City at different times. In the opener, he's a neglectful husband to needy, chatty Maureen Stapleton; in the second, he's a movie producer from Hollywood who phones up old flame Barbara Harris for a tryst; and for the finale, Matthau is married to Lee Grant and suffering the wedding catastrophe blues after his daughter gets cold feet before her ceremony. Simon, despite having penned the adaptation himself, was reportedly not happy with the picture; George C. Scott and Maureen Stapleton had played all the central parts on stage, though Simon felt Matthau's take on the three male characters didn't work on film. He was partly right (Matthau is most ill-at-ease in the second episode), but the main problem with the film is the first installment. Portraying a long-suffering married couple on the brink of imploding, Matthau and Stapleton are busily beleaguered and convincingly antagonistic...it might have helped if they were funnier. Matthau's incarnation of the callous (and cheating) hubby is, unfortunately, so unfeeling towards his spouse--in a story which is not satisfactorily resolved--that it leaves a sour residue from which the rest of "Plaza Suite" never recovers. Some of the flip talk is cheeky and amusing, Lee Grant gets some colorful bits of business, but this is still a depressing experience. The Plaza Hotel must have been infuriated with the art direction: this picture makes the posh resort look like a Burger King. ** from ****