Rhys Ifans plays Howard Marks in a movie based around the Welsh drug dealer's biography. We go from Marks' entry to Oxford (where he first discovered the delights of smoking dope) to his brief brush with conventionality, followed by his first occasion of importing a Mercedes full of cannabis, his association with IRA gunman and drug importer Jim McCann (David Thewlis), and assorted escapades, brushes with the law, assumed identities and so on. Throughout all this he continues to father additional children with long suffering partner/wife Judy (Chloe Sevigny), and he appears to be a good father, loving and loved.
What to make of this? Well, it always holds the interest, it is well acted by all involved (albeit Sevigny's role is pretty thankless), and much of it has a reasonable sense of period (in particular, Ifans is inserted into period newsreel footage with mixed results), with some good use of period music (John Lennon's "God" is particularly well placed). It is sometimes amusing, seldom gripping, and be non-judgemental - Marks' exploits are presented to us and we are left to come to our own conclusions as to how right or wrong he was.
The illegality of his actions is not condemned: however, although there are several points where one gets the feeling that the filmmakers' sympathies lie with the legalising marijuana lobby, it is difficult not to take on board the drastic consequences for Marks and his family when he is apprehended and the excuses no longer work.
I ended up being as morally compromised as the movie - it was a worthwhile exercise to make the film, I think, but I am no wiser as to where Marks would stand if we were all to line up and be judged. And maybe that is how it should be.
What to make of this? Well, it always holds the interest, it is well acted by all involved (albeit Sevigny's role is pretty thankless), and much of it has a reasonable sense of period (in particular, Ifans is inserted into period newsreel footage with mixed results), with some good use of period music (John Lennon's "God" is particularly well placed). It is sometimes amusing, seldom gripping, and be non-judgemental - Marks' exploits are presented to us and we are left to come to our own conclusions as to how right or wrong he was.
The illegality of his actions is not condemned: however, although there are several points where one gets the feeling that the filmmakers' sympathies lie with the legalising marijuana lobby, it is difficult not to take on board the drastic consequences for Marks and his family when he is apprehended and the excuses no longer work.
I ended up being as morally compromised as the movie - it was a worthwhile exercise to make the film, I think, but I am no wiser as to where Marks would stand if we were all to line up and be judged. And maybe that is how it should be.