The startling thing about the original "Victor and Victoria" is its operetta-like form with significant dramatic interactions presented in rhyme, either sung or in recitative. Reinhold Schunzel (who later appeared to outstanding effect in such American films as "Hangmen Also Die" and "Notorious") directs stylishly with sometimes over-obvious flair, milking laughs from the physical comedy of the leads—namely, the energetic Hermann Thimig as the female impersonator who catches cold and persuades an ambitious young performer (Renate Muller) to sub for him. She becomes a huge hit overnight. The dashing Adolf Wohlbruck (later Anton Walbrook of "Red Shoes" fame) is the gentleman who falls in love with her after discovering "he" is a "she."
One odd bit: when Wohlbruck takes Muller to a barbershop for a shave and she removes her jacket it is very clear from her anatomy that she is a female, but no one notices. Why then did the filmmakers do nothing to flatten her chest?
One odd bit: when Wohlbruck takes Muller to a barbershop for a shave and she removes her jacket it is very clear from her anatomy that she is a female, but no one notices. Why then did the filmmakers do nothing to flatten her chest?