Ken Loach remains the British auteur. Route Irish while definitely not his best due to the off-script ad lib workshop style remains a powerful and relevant film. It would have been made into a big Hollywood thriller in the US going all the way up to the Senate and beyond, and this is the film's strength - it focuses on squaddies - simple soldiers - no big politics here - and the film gets its impact from that.
The plot of the man whose best friend joins up because of him then dies is mysterious circumstances in Iraq is a very strong plot - more so that most Loach films.
Set in Liverpool and Iraq the filming, the settings, the language, and even, in places the acting are crude and in your face - this is not Ae Fond Kiss or even The Wind That Shakes The Barley, this is an angry Ken, a Ken saying look this matters forget subtlety - let's just get it done.
The film is carried by Mark Womack who brings both skill as an actor and improviser and an unknown raw almost out of control energy that carries the themes and give the film its power.
All in all, while not Loach's best in terms of film, this should be his most powerful and relevant, but by opting for a crude and broad approach instead of some subtle in with the barrage - left this viewer numbed - some space and silences (Like all over Loach films have had magnificently) would have helped perhaps.
A visceral film but one that overpowers the viewer's emotions too much, one that while still very powerful doesn't linger as other Loach films have.
The plot of the man whose best friend joins up because of him then dies is mysterious circumstances in Iraq is a very strong plot - more so that most Loach films.
Set in Liverpool and Iraq the filming, the settings, the language, and even, in places the acting are crude and in your face - this is not Ae Fond Kiss or even The Wind That Shakes The Barley, this is an angry Ken, a Ken saying look this matters forget subtlety - let's just get it done.
The film is carried by Mark Womack who brings both skill as an actor and improviser and an unknown raw almost out of control energy that carries the themes and give the film its power.
All in all, while not Loach's best in terms of film, this should be his most powerful and relevant, but by opting for a crude and broad approach instead of some subtle in with the barrage - left this viewer numbed - some space and silences (Like all over Loach films have had magnificently) would have helped perhaps.
A visceral film but one that overpowers the viewer's emotions too much, one that while still very powerful doesn't linger as other Loach films have.