Ryūhei a salary man loses his job, and is soon on the scrap heap of the unemployed, a very common and relevant case for so many in these times.
In this case the film documents what it means to be a working man or woman, a case of how a job can define a person. In the case of Ryūhei it's the struggle to maintain that sense of honour and pride that is so ingrained in Japanese culture, that when he is finally let go, he simply packs his belongings from work and walks out-not a word to his colleagues, and not a word to his family.
The next morning he leaves for 'work' donned in the usual work attire spending the day on the fringes of regular life-lining up for free food, sitting in public libraries, roaming the various employment offices for vacancies, then coming home earlier then usual to face the doom of subsequent family expenses (the son wants to take piano lessons, the wife wants a new car, the heater needs to be replaced).
Despite the downward spiral into despair for which this film descends into,there is a feeling of a more hopeful future.
In this case the film documents what it means to be a working man or woman, a case of how a job can define a person. In the case of Ryūhei it's the struggle to maintain that sense of honour and pride that is so ingrained in Japanese culture, that when he is finally let go, he simply packs his belongings from work and walks out-not a word to his colleagues, and not a word to his family.
The next morning he leaves for 'work' donned in the usual work attire spending the day on the fringes of regular life-lining up for free food, sitting in public libraries, roaming the various employment offices for vacancies, then coming home earlier then usual to face the doom of subsequent family expenses (the son wants to take piano lessons, the wife wants a new car, the heater needs to be replaced).
Despite the downward spiral into despair for which this film descends into,there is a feeling of a more hopeful future.