It seems that each filmed version of Moby-Dick is compelled to be worse than the one before and that each embodier of the partially disembodied Ahab must make his predecessor seem better, not just in the distance of time but also in distanced performance. Who will underperform William Hurt I hope never to see. Each scriptwriter also must feel a need to demonstrate the superiority of Melville's original, both in his concept and execution. The most recent version appears somewhat like a Second City take on Moby-Dick Meets The Outsiders: all the tortured Jugendangst! Ethan Hawke does do a good C. Thomas Howell sendup, but Hawke should rather be doing a good performance of a first mate, one who is one step below the ship's master. Even the Pequod gets nonverisimilitude. A square-rigged whaler gets turned into a bark. If people cared enough to write, finance, film, and present what is generally regarded as a if not the preeminent work of American fiction, why was care and cash not more carefully scripted and directed? Even the cgi attempt at the whale of whales had the look of an audition submission for an early ScyFy project.