Thus spake Paul Lukas during an uncharacteristic serious moment in this very entertaining, almost light-hearted entry in the Philo Vance canon, this one by MGM.
The play's the thing, right? That's what makes or breaks a movie for most of us - was it a good show or not? This was an excellent murder mystery, a mysterious mystery if you will, and it keeps you guessing until almost the final scene and defies you to figure out the identity of the murderer. There were lots of red herrings and the screenwriters take a few liberties with our credulity, but I thought that, on balance, this was one of the better murder mysteries to come out of Hollywood in the 30's, or any other period for that matter.
William Powell spoiled the Philo Vance character for us. He was so breezy and sophisticated that any other actor would pale in comparison. And Paul Lukas is a pale imitation, to be sure, try as he might. He lacks the suave and cocky air that Powell projected, plus he has an off-putting European accent. But MGM surrounded him with some of the best supporting and character actors available, among them Rosalind Russell, Donald Cook, Isabel Jewell, Eric Blore and the incomparable Allison Skipworth. They also threw in a dance scene at the Casino with "Blue Moon" as background music and with everyone in evening dress. It was, of course, dated but elegant nevertheless.
Remove Lukas and substitute anyone else and this is an 8 rating. As is, I give it a 7.
The play's the thing, right? That's what makes or breaks a movie for most of us - was it a good show or not? This was an excellent murder mystery, a mysterious mystery if you will, and it keeps you guessing until almost the final scene and defies you to figure out the identity of the murderer. There were lots of red herrings and the screenwriters take a few liberties with our credulity, but I thought that, on balance, this was one of the better murder mysteries to come out of Hollywood in the 30's, or any other period for that matter.
William Powell spoiled the Philo Vance character for us. He was so breezy and sophisticated that any other actor would pale in comparison. And Paul Lukas is a pale imitation, to be sure, try as he might. He lacks the suave and cocky air that Powell projected, plus he has an off-putting European accent. But MGM surrounded him with some of the best supporting and character actors available, among them Rosalind Russell, Donald Cook, Isabel Jewell, Eric Blore and the incomparable Allison Skipworth. They also threw in a dance scene at the Casino with "Blue Moon" as background music and with everyone in evening dress. It was, of course, dated but elegant nevertheless.
Remove Lukas and substitute anyone else and this is an 8 rating. As is, I give it a 7.