3/10
Selznick's folly.
22 October 2011
Warning: Spoilers
The very successful producer, David O. Selznick, had a very publicized affair with a young actress, Jennifer Jones. Selznick divorced his wife, married Jones and spent the rest of his career trying to make her a star of the first magnitude. Unfortunately, he OFTEN miscast her and the quality of his films was sometimes compromised. His once golden touch was gone and this film was his last--and his last attempt to promote Jones. Now I don't hate Jones--she was fine in some films such as "The Man in the Grey Flannel Suit" and "Portrait of Jenny". But, she was also quite terrible in a few of his movies because she was just wrong for the parts. In particular, she was ridiculous in the sleazy and extremely silly drama "Duel in the Sun". "Indiscretion of an American Wife" was another mistake--a bad film that was ill-matched to her screen persona (though I am not sure if anyone could have saved this film). Here in "A Farewell to Arms", Selznick is trying to get his 38 year-old wife to be believable as a 21 year-old nurse. Poor Jennifer....I think her career actually would have been better had she not been promoted by Selznick, as her Oscar-winning role in "Song of Bernadette" came before he became involved with her career.

The original film starred Gary Cooper and Helen Hayes. It was a hit back in the early 30s but hasn't aged well. In particular, the sound is a SERIOUS problem if you try to watch it. So, the notion of a remake isn't a bad thing.

In this version, Rock Hudson and Jones play the fated couple. Hudson is an American who has volunteered as an ambulance driver for the Italians. The US has not yet entered the war and some Americans did volunteer with Brits, French and Italians...and even the Germans (after all, the US was neutral during most of the war). This character was based, in part, on Ernest Hemmingway's own experiences driving an ambulance in the war.

Hudson falls for a very young British nurse (Jones). At first, his advances are boorish and she rebuffs him--for a while. Later, when he's injured in combat, he's sent to the hospital where he meets her again. This time, they BOTH are madly in love. So far, so good--these things DO happen. But eventually their attraction for each other becomes dangerous and all-consuming. She becomes pregnant, he is almost shot for dereliction of duty because the Italian army is run by idiots, he goes AWOL, finds her, they run away together, the baby is stillborn and she dies. A lot of stuff happens in between (after all, it runs over two hours in length)--though this is pretty much the film.

The chemistry between the two characters is only fair--but not what you'd want in such a film. Jones was especially poor, as she was SUPPOSED to be British but sounded like an American. And, the dialog between them often sounded silly. The audiences apparently felt the same way, as the film failed to make money when it was first released and the critics were pretty harsh to it. Now the film DOES look nice--the budget was very good and it's obvious that Selznick wanted this to be a big picture. Overall, it's painfully slow and should have been a lot better.
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