Hell on Wheels (2011–2016)
Exquisite Camera-work for a Western Myth
21 November 2011
Clearly this series is aiming for a mythical aura, and for me it has achieved that thus far over the first 3 episodes. I doubt I have ever seen such a beautifully shot TV show anywhere, and yet I am not sure how a series on AMC can afford to look this good given how their resources have to be spread over so many episodes. (For brief moments, this looks like DAYS OF HEAVEN.) Yet this is not merely a visual feast, it is one that attempts to delve into a critical juncture in American history, right after the end of the Civil War, a point of no return if there ever was one. The tropes here are familiar: rebels who have never really surrendered (THE SEARCHERS) and railroads leading the encroachment of civilization on a pristine wilderness (ONCE UPON A TIME IN THE WEST). All of the contradictions of the USA in a peripatetic microcosm, a moving city with prostitutes and evangelicals practically living on top of each other. (No pun intended.) And then there is the corruption driving the whole project forward. None of this is new, but it always depends on the presentation with the Western. They present it beautifully in this case. I'm hooked.
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