From some of this generations most innovative filmmakers comes a film that pushes the boundaries of good taste and endeavors to bring the good ol' style of the drive-in right into your living room. Does it succeed? For the most part, yes! Segment One, Wadzilla, features star/director Adam Rifkin (Detroit Rock City)as a timid businessman who is given experimental medicine to increase his sperm count, only to unleash a monster of immeasurable horror! The effects are charmingly horrible but it is quite a funny ride.
Segment Two, I Was a Teenage Werebear is, unfortunately, the proverbial black sheep of the family. Tim Sullivan (2001 Maniacs) is a real talent but the short's taboo pressing plot line only serves to alienate this movie's target demographic (straight males). It is a rousing musical about a sexually confused young man who is bitten by a were-bear (long story) and struggles to keep his morality.
Segment Three, Adam Green's (Hatchet, Frozen)The Diary of Anne Frankenstien, is a real treat. Although admittedly a little short on the horror aspect, it is actually quite funny. The Nazi's, led by Joel David Moore as Hitler, attempt to use Anne Frankenstien's journal to build a monster to help in the war effort. This segment is shot in a sublime old fashioned style and is subtitled as everyone speaks authentic German except for Hitler himself, who comes off as quite a bumbling fool.
Segment Four, Joe Lynch's (Wrong Turn 2) Zom-B-Movie, serves as the wraparound story and as the finale and it is just righteously over the top fun enough to completely win over this reviewer. A zombie outbreak threatens the people who had to sit through the last three shorts only to be threatened by a pack of sexually charged zombies. The real highlight is character actor Richard Riehle who gets to brandish a shotgun and quote more movies then any character in history.
For this reviewer's money, this movie succeeded at becoming exploitation without falling prey to insincerity like the similarly themed Grindhouse.
Segment Two, I Was a Teenage Werebear is, unfortunately, the proverbial black sheep of the family. Tim Sullivan (2001 Maniacs) is a real talent but the short's taboo pressing plot line only serves to alienate this movie's target demographic (straight males). It is a rousing musical about a sexually confused young man who is bitten by a were-bear (long story) and struggles to keep his morality.
Segment Three, Adam Green's (Hatchet, Frozen)The Diary of Anne Frankenstien, is a real treat. Although admittedly a little short on the horror aspect, it is actually quite funny. The Nazi's, led by Joel David Moore as Hitler, attempt to use Anne Frankenstien's journal to build a monster to help in the war effort. This segment is shot in a sublime old fashioned style and is subtitled as everyone speaks authentic German except for Hitler himself, who comes off as quite a bumbling fool.
Segment Four, Joe Lynch's (Wrong Turn 2) Zom-B-Movie, serves as the wraparound story and as the finale and it is just righteously over the top fun enough to completely win over this reviewer. A zombie outbreak threatens the people who had to sit through the last three shorts only to be threatened by a pack of sexually charged zombies. The real highlight is character actor Richard Riehle who gets to brandish a shotgun and quote more movies then any character in history.
For this reviewer's money, this movie succeeded at becoming exploitation without falling prey to insincerity like the similarly themed Grindhouse.