Just watching all of these episodes for the first time. Started earlier in the day and am curious how a show that was nominated for 29 Emmys does not get the same attention that some of the other 'classics' do.
Three episodes in I can see an outline starting to form. This is now two episodes in a row where there has been one A and one B story working alongside each other. The dead of winter trench-coat flasher is a funny antagonist, and the officers having to keep money overnight because of an armored car driver strike makes the audience start to feel what it's like to be a cop in New York City. There are some good foundations being established here, and I am interested to see how it continues to develop.
One pattern I have noticed early on is this is now the 2nd episode shot entirely in the squad room. I wouldn't think that would be interesting television, but good writers have been able to pull it off so far.
Rating: 26/40
Three episodes in I can see an outline starting to form. This is now two episodes in a row where there has been one A and one B story working alongside each other. The dead of winter trench-coat flasher is a funny antagonist, and the officers having to keep money overnight because of an armored car driver strike makes the audience start to feel what it's like to be a cop in New York City. There are some good foundations being established here, and I am interested to see how it continues to develop.
One pattern I have noticed early on is this is now the 2nd episode shot entirely in the squad room. I wouldn't think that would be interesting television, but good writers have been able to pull it off so far.
Rating: 26/40