This film is a rollicking tour-de-force that has as its primary focus the incredible acting talents of the incomparable Edward G. Robinson. Robinson takes us on a roller-coaster of a ride, as he sails back and forth from joy and elation to depression and pathos and back again. It is sometimes dizzying trying to keep up with the swinging emotions of Robinson's multi-millionaire meat-packer John Hayden. Robinson carries it off beautifully, and I think this film really proves what a fine, fine actor he was.
And how lucky we are that a film company like First National existed in the early 30's, pumping out films with stars like EG Robinson at a rate that would leave a current studio breathless. What an exciting time it must have been. We are the beneficiaries of this fascinating time, when studios had to release new films in a rapid succession, such was the hunger for new films.
"I Loved a Woman" takes place over a 40 year period, taking us from late Victorian Chicago of 1892 to industrial Chicago of just a few decades later. The fashions change subtly over the 90 minutes this film takes. While some of the romantic scenes with Kay Francis are a bit dated, and the lovers' dialogue a little stilted, Robinson never fails to captivate us when he is on screen. If anybody can carry this stuff off, it is him (Robinson even sings in this movie, though happily not too much).
The supporting cast is strong and full of First National perennials, such as Robert Barrat, playing EGR's father-in-law. A special treat is the speaking appearance of one of John Ford's silent screen favorites, J. Farrel MacDonald.
This movie also features a speaking role for Theodore Roosevelt, who personally threatens to destroy the meat packer Hayden for selling rotten meat to the soldiers of the Spanish-American War.
Perhaps the only annoyance is having to put up with Kay Francis repeatedly singing Home on the Range in an opera voice while playing an upright piano. Once, maybe, but three times?....
One funny thing to look for early in the film: Robinson returns home from abroad after hearing of his father's death. A painting of dad hangs on the office wall - looking exactly like EG Robinson with full whiskers! A very nice touch.
This is a strong entry from First National Films, and a great way to get know the many sides of Edward G. Robinson. I highly recommend this one.
And how lucky we are that a film company like First National existed in the early 30's, pumping out films with stars like EG Robinson at a rate that would leave a current studio breathless. What an exciting time it must have been. We are the beneficiaries of this fascinating time, when studios had to release new films in a rapid succession, such was the hunger for new films.
"I Loved a Woman" takes place over a 40 year period, taking us from late Victorian Chicago of 1892 to industrial Chicago of just a few decades later. The fashions change subtly over the 90 minutes this film takes. While some of the romantic scenes with Kay Francis are a bit dated, and the lovers' dialogue a little stilted, Robinson never fails to captivate us when he is on screen. If anybody can carry this stuff off, it is him (Robinson even sings in this movie, though happily not too much).
The supporting cast is strong and full of First National perennials, such as Robert Barrat, playing EGR's father-in-law. A special treat is the speaking appearance of one of John Ford's silent screen favorites, J. Farrel MacDonald.
This movie also features a speaking role for Theodore Roosevelt, who personally threatens to destroy the meat packer Hayden for selling rotten meat to the soldiers of the Spanish-American War.
Perhaps the only annoyance is having to put up with Kay Francis repeatedly singing Home on the Range in an opera voice while playing an upright piano. Once, maybe, but three times?....
One funny thing to look for early in the film: Robinson returns home from abroad after hearing of his father's death. A painting of dad hangs on the office wall - looking exactly like EG Robinson with full whiskers! A very nice touch.
This is a strong entry from First National Films, and a great way to get know the many sides of Edward G. Robinson. I highly recommend this one.