Despite "The Ugly American" being filmed in a fictional Southeast Asian nation, the parallels between this film and Vietnam in the 1960s are quite obvious. It's obviously NOT about this fictional place but is a commentary on the American government's reaction to nationalism and revolution. While this nation was founded as a haven for revolutionaries, by the time the film was made, the policies were generally reactionary--bolstering up ANY government that was seen as keeping the status quo so long as they weren't communists. Yet, like in the case of this fictional land, many revolutions had nothing to do with communism and SHOULD have been welcomed by the US but weren't.
This film begins with Marlon Brando playing a new ambassador to the tiny nation of Sarkan. Some of the senators at his confirmation hearing were not impressed--Brand's character appeared to be a political liberal and looked favorably upon the nationalistic movement growing withing Sarkan. After all, the leader was his old and dear friend. However, after assuming the post, both the friend and Brando behave quite stupidly. They should have been friends but very soon become bitter enemies. Brando brands the ex-friend a communist and the friend rushes to the communist camp for assistance.
My biggest problem with the film was its pacing. Brando goes from close friend to bitter enemy VERY quickly--too quickly. Things escalate wildly out of control in an interesting manner but it's all just too rushed to be realistic. But, aside from this, the acting is decent and the story quite compelling--especially the film's commentary on the apathetic American public. Clever and insightful, this one probably looks a lot better today in hindsight then it did back in 1963 before the Cold War in Southeast Asia really heated up significantly.
This film begins with Marlon Brando playing a new ambassador to the tiny nation of Sarkan. Some of the senators at his confirmation hearing were not impressed--Brand's character appeared to be a political liberal and looked favorably upon the nationalistic movement growing withing Sarkan. After all, the leader was his old and dear friend. However, after assuming the post, both the friend and Brando behave quite stupidly. They should have been friends but very soon become bitter enemies. Brando brands the ex-friend a communist and the friend rushes to the communist camp for assistance.
My biggest problem with the film was its pacing. Brando goes from close friend to bitter enemy VERY quickly--too quickly. Things escalate wildly out of control in an interesting manner but it's all just too rushed to be realistic. But, aside from this, the acting is decent and the story quite compelling--especially the film's commentary on the apathetic American public. Clever and insightful, this one probably looks a lot better today in hindsight then it did back in 1963 before the Cold War in Southeast Asia really heated up significantly.