In the harbor city of Le Havre, France, a woman is stabbed during the night, just below the windows of her neighborhood. Pierre (Yvan Attal) has witnessed the murder, and heard the wails of the women crying for help. So have the neighbors, certainly. But at the end, nobody called the police. Nevertheless, sorrows are too heavy for Pierre, who feels the need to tell everything to his wife (Sophie Quinton), and to the police. During the investigation, it appears that 38 people witnessed the murdering, and none reacted...
I was really appealed by the premises of this plot. That is also why I was really disappointed with the resulting film. Let me enumerate the main caveats I was annoyed with :
I was really appealed by the premises of this plot. That is also why I was really disappointed with the resulting film. Let me enumerate the main caveats I was annoyed with :
- scripts and acting. The dialogs often sound awkward, unnatural and sometimes I was wondering if I was looking at theater rather than cinema. The acting is not good (especially with the main roles), but I am not sure if actors or director have to be blamed.
- Le Havre. This city and its harbor is constantly in the picture, but the director does not really use it. Is it metaphor of dehumanization of modern urban life? Is it because the city center was rebuilt with bare concrete after 1945? The effect is wasted.
- the end. The scenario introduces many story elements which could have be explored and resolved into a powerful conclusion. Contrarily, the actual movie end is coming out of nowhere, unimpressive, and I felt, stupid.