Macbeth (1948)
8/10
Dark, brooding and overall very well-done Macbeth
30 May 2012
I'll always have a soft spot for the play as it was one of my first Shakespeares, and I really liked this Macbeth. It is not my favourite film version of the play, Polanski's film and Kurasawa's Throne of Blood I just preferred. However, despite some scenes that suffer from a lack of momentum and some indifferent sound quality in a number of scenes excepting the soliloquies, this is very good if not quite on par with Welles' other Shakespeare adaptations Othello and Chimes at Midnight. I loved how dark and expressionistic the sets and lighting were and the cinematography shows thought and accomplishment. The score by Jacques Ibert is a haunting one and matches the expressionistic, brooding tone of the film very well, the story is still the dark and compelling one, complete with an atmosphere of intensity and great unease, I know and love and the script especially the soliloquies is wonderful. Orson Welles' Macbeth doesn't quite match his extraordinary Othello but nonetheless he gives an commanding, sometimes intense, sometimes moving performance. The last twenty minutes are especially mesmerising. Of his supporting cast, the best were the scheming Lady Macbeth of Jeanette Nolan and the delicate Malcolm of Roddy MacDowell. Banquo is also quite good. The rest of the cast are not bad, and the accents were a nice touch when the sound wasn't so indifferent, but I didn't get the sense they were living the parts as well as Welles in particular did. Overall, not perfect and the least of Welles' Shakespeare adaptations but thanks to Welles' performance, how it was made and its atmosphere it is a film worth seeing. 8/10 Bethany Cox
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