Felicity Huffman turns in one of the most complex and engaging performances I've seen in a long time as Sabrina "Bree" Osbourne, a transsexual who's down to her final stages of her final operation as she's about to lose the man jewels as she is finally rid of the horrid past she encountered when she was a man named Stanley. It's a misnomer to some who think that this is a goofy zany comedy film, or a preachy film about the trials and tribulations of becoming transsexual. It is a vulgar satire that uplifts the dramatic elements from the obstacles of the plot and the surprising outcomes that manifest at the principal elements as the movie progresses.
In his directorial debut, Duncan Tucker has took on the classic road movie to a new direction that pits Bree and her re-acquaintance with the son she only once fathered. Toby is a juvenile homeless kid who is the biological son of the former Stanley who was once in a relationship with his recently deceased mother. Bree and Toby embark on a cross-country journey from New York to Los Angeles. Sure people might scoff by saying that this is another cross-country road movie. But if you look into the movie beyond the surface, it's really about a journey of a man trying to adapt into womanhood and the hardships it is in trying to adjust to the new life that has become of Bree.
Tucker cleverly uses Bree's dreadful occupation as a telemarketer as a symbol of the obstacles Stanley faced during his quest of becoming a woman and Huffman utilizes her character's vulnerable traits and stiff posture. Sure it looked like open field for comical farce, but her acting it pitch perfect and takes her training and regiments very seriously which is all very believable. With the help from Jason Hayes (wig designer) we get to see the gradual physical molding of a man turn woman right before our very eyes and the fear of Bree returning to her old alter ego.
The supporting cast backs Huffman up nicely. Young Kevin Zegers was accurate as the poor young confused misunderstood soul Toby who's oblivious that his father is now a mother and that Bree cowardly lied to Toby saying she was a church missionary when really she's really his biological father. Elizabeth Pena of "Lone Star" fame was sublime as Bree's strong-opinioned therapist. Graham Greene ("Dances With Wolves") was in top form as Bree's suitor Calvin Manygoats. And the scene-stealing comes from Bree's parents played by Bert Young and Fionnula Flanagan who are in perpetual denial over their son's life-rendering decision.
Along with the parents, Carrie Preston as Bree's sister Sidney make the perfect dysfunctional family comedy foil as they easily go into Bree's self-loathing which is par for the course in most families who try to deal with problems. The film sporadically shifts into being overly sentimental tear-jerker and instead Tucker focuses more on the comedy elements and the absurd scenes that follow. This is a film worthy of its accolades and I'm sure you'll enjoy it too.
In his directorial debut, Duncan Tucker has took on the classic road movie to a new direction that pits Bree and her re-acquaintance with the son she only once fathered. Toby is a juvenile homeless kid who is the biological son of the former Stanley who was once in a relationship with his recently deceased mother. Bree and Toby embark on a cross-country journey from New York to Los Angeles. Sure people might scoff by saying that this is another cross-country road movie. But if you look into the movie beyond the surface, it's really about a journey of a man trying to adapt into womanhood and the hardships it is in trying to adjust to the new life that has become of Bree.
Tucker cleverly uses Bree's dreadful occupation as a telemarketer as a symbol of the obstacles Stanley faced during his quest of becoming a woman and Huffman utilizes her character's vulnerable traits and stiff posture. Sure it looked like open field for comical farce, but her acting it pitch perfect and takes her training and regiments very seriously which is all very believable. With the help from Jason Hayes (wig designer) we get to see the gradual physical molding of a man turn woman right before our very eyes and the fear of Bree returning to her old alter ego.
The supporting cast backs Huffman up nicely. Young Kevin Zegers was accurate as the poor young confused misunderstood soul Toby who's oblivious that his father is now a mother and that Bree cowardly lied to Toby saying she was a church missionary when really she's really his biological father. Elizabeth Pena of "Lone Star" fame was sublime as Bree's strong-opinioned therapist. Graham Greene ("Dances With Wolves") was in top form as Bree's suitor Calvin Manygoats. And the scene-stealing comes from Bree's parents played by Bert Young and Fionnula Flanagan who are in perpetual denial over their son's life-rendering decision.
Along with the parents, Carrie Preston as Bree's sister Sidney make the perfect dysfunctional family comedy foil as they easily go into Bree's self-loathing which is par for the course in most families who try to deal with problems. The film sporadically shifts into being overly sentimental tear-jerker and instead Tucker focuses more on the comedy elements and the absurd scenes that follow. This is a film worthy of its accolades and I'm sure you'll enjoy it too.